 MTM 84 |
Millennium Music Falcon LX
Pros recommend a dedicated laptop for music-making, but they can be hard to find. Hollin Jones tracks down the Falcon LX.
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|
 MTM 83 |
M-Audio Fast Track
Fast Track looks set to open the door for even more musicians wanting to start recording. Mike Hillier makes tracks.
|
 MTM 82 |
Focusrite Saffire 6 USB
Focusrite’s Saffire interfaces have become more affordable thanks to a new USB version. Mark Cousins takes a look.
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|
 MTM 81 |
Steinberg C12
Steinberg’s new controller is affordably priced yet offers full Cubase AI5 compatibility. Hollin Jones investigates.
|
 MTM 81 |
ART Voice Channel
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|
 MTM 80 |
Inta Audio I5
Having the latest processor technology is key for serious audio work, but how will Inta’s i5 perform? Hollin Jones finds out.
|
 MTM 79 |
Peavey 16FX
Even the baby of Peavey’s new FX Series mixers manages to cram in a considerable amount. Mike Hillier gets on the buss.
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|
 MTM 78 |
Korg microKORG XL
Synths keep getting smaller, but can Korg’s microKORG XL punch above its weight? Hollin Jones finds out.
|
 MTM 78 |
Neve 2254/R Limiter/compressor
40 years on from the original 2254, is Neve’s latest reissue the studio must-have it once was? Mark Cousins finds out.
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|
 MTM 76 |
SE Electronics RNR1
The developer of some of the most sought-after audio consoles has turned his magic touch to mics. Mike Hillier listens in.
|
 MTM 76 |
Lexicon I•ONIX FW810S
Lexicon’s I•ONIX FW810S seems to be more than just another FireWire audio interface. Mark Cousins gets connected.
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|
 MTM 76 |
Arsenal Audio MP-R20 & MP-R24
API has launched Arsenal Audio to reach the places traditional API products cannot. Huw Price meets the newcomers.
|
 MTM 76 |
ART M-Two & M-Three
The M-Two and M-Three combine new capsules with FET electronics and flexible features. Huw Price checks them out.
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|
 MTM 76 |
Novation SL MKII
If you think hassle-free, hands-on plug-in control is just a pipe dream, this might be the answer. Hollin Jones takes two.
|
 MTM 76 |
AKAI APC40
Live is a great performance tool – and the APC40 looks set to revolutionise the way you interact with it. Hollin Jones plugs in.
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|
 MTM 75 |
Sonuus G2M
Using a guitar to control MIDI instruments could now be easier thanks to products such as the G2M. Mike Hillier investigates.
|
 MTM 75 |
C-Thru Music AXiS-49
If you’re stuck for ideas, the AXiS-49’s revolutionary keypad might just help fire your creativity. Keith Gemmell taps in.
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|
 MTM 75 |
Focusrite Liquid Saffire 56
By merging the best of both its Liquid and Saffire product ranges, has Focusrite created the ultimate FireWire audio interface? Mark Cousins gets connected.
|
 MTM 74 |
SE Electronics 2200T
First there was the solid-state version, then a USB version – now it’s time for tubes. Huw Price feels a warming glow.
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|
 MTM 74 |
KRK Ergo
Can KRK’s Ergo and its room-correction technology really solve problems created by poor acoustics in your studio? Mark Cousins finds a room for improvement.
|
 MTM 74 |
Use Audio Plugiator
Synths that work as well on stage as in the studio are gaining in popularity. Hollin Jones checks out Use Audio’s Plugiator.
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|
 MTM 73 |
Harper Diabate HDV-1
The HDV-1 is a multi-pattern valve condenser designed for general recording applications. Huw Price powers up.
|
 MTM 73 |
Scan SA-i7 PowerDAW+
Scan has upped the ante by kitting out its flagship PC with Intel’s latest processors. Hollin Jones powers up.
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|
 MTM 73 |
MOTU BPM
Producers are always looking for great beats and MOTU reckons that BPM can deliver. Hollin Jones gets groovy.
|
 MTM 73 |
Sontronics Sonora
In the tough world of mic pres, newcomers need something special to stand out. Huw Price tries out another contender.
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|
 MTM 73 |
Kurzweil PC3X
Kurzweil’s keyboards have earned the company an enviable reputation, so how will the company’s new flagship PC3X shape up? Hollin Jones tinkles the ivories.
|
 MTM 73 |
Native Instruments Maschine
Native Instruments is hoping to revolutionise the way we make beats with computers, but does its latest offering cut the mustard? Hollin Jones is in the driving seat.
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|
 MTM 72 |
PreSonus AudioBox USB
Need portable preamps for stereo recording while listening to a monitor mix with zero latency? Huw Price plugs and plays.
|
 MTM 72 |
AKG C214
The only thing better than having one great microphone is having a matched pair. Huw Price is seeing double.
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|
 MTM 72 |
Lexicon PCM92
Will Lexicon’s PCM96 be the contemporary hardware reverb of choice for the DAW generation? Mark Cousins finds out.
|
 MTM 72 |
Nord Nord Electro 3
The Nord Electro series is a firm favourite with serious players, so how will the Electro 3 measure up? Hollin Jones finds out.
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|
 MTM 71 |
Behringer Vintage Time Machine
Behringer takes a trip back through time to bring analogue effects bang up-to-date. Mike Hillier recalls the journey.
|
 MTM 71 |
PreSonus DigiMax D8
The new PreSonus DigiMax D8 combines eight mic/line preamps with eight analogue and eight digital outputs. Huw Price takes it to the max.
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|
 MTM 71 |
AKAI EWI USB
At last: an affordable wind controller with a USB port and customised sampled sounds. Keith Gemmell breathes easy.
|
 MTM 71 |
Universal Audio Twin-Finity 710
Sometimes you need clean solid-state tones, at other times only valves will do. Huw Price finds an all-in-one solution.
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|
 MTM 71 |
Genelec 6010a
Genelec’s 6010A and 5040A systems aim to provide the ‘first step into the world of professional audio’. Huw Price listens in.
|
 MTM 71 |
Allen & Heath ZED R16
Allen & Heath has added the first new mixer to its ZED series in over a decade. It’s analogue, it’s digital and it’s a MIDI controller, too. Huw Price checks out the R16.
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|
 MTM 71 |
HHB CDR882
Can the new CDR882 prove that real-time audio recording still has a place outside a computer? Huw Price doubles up.
|
 MTM 70 |
Audio-Technica AT4021 & AT 4022
Two new mics have been added to AT’s 40 Series, but can they keep up with the industry standards? Huw Price decides.
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|
 MTM 70 |
Behringer Eurodesk SX3242FX
Behringer has made big steps in the live market, so is the new Eurodesk one giant leap? Mike Hillier rides the faders.
|
 MTM 70 |
Adam Adam A5
Given the success of the Adam A7, the company’s new A5s have a lot to live up to. Huw Price sounds them out.
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|
 MTM 70 |
Focusrite Saffire Pro 40
Focusrite has brought its expertise to the project studio market with this latest release – the Saffire PRO 40. Hollin Jones gets the lowdown.
|
 MTM 69 |
Rode M2
The new Røde M2 offers award-winning S1 technology, but
at a more affordable price. Huw Price goes live.
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|
 MTM 69 |
Inta Audio X4R
Making music is a demanding task for a PC, so it pays to get a serious one. Hollin Jones road tests Inta Audio’s new X4R Pro.
|
 MTM 69 |
Arturia Origin
The long wait is finally over, so will Arturia’s hotly anticipated Origin live up to expectations? Hollin Jones finds out.
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|
 MTM 68 |
Allen & Heath Xone:4D
Allen & Heath has set about updating the company’s flagship mixer. Mike Hillier checks out what’s new in the Xone.
|
 MTM 68 |
Steinberg MR816 CSX/CC121
If you want more hands-on control over recording and working in Cubase, Steinberg just might have the answer. Hollin Jones gets familiar with the MR816 and CC121.
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|
 MTM 68 |
Universal Audio UAD-2 Solo
Universal Audio’s new UAD-2 cards offer a significant speed bump over the original UAD-1 DSP acceleration system. Mark Cousins enjoys the extra juice.
|
 MTM 67 |
Moog Moogerfoogers
You can rely on Moog to come up with something special – even when it comes to effects pedals. Hollin Jones plugs in.
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|
 MTM 67 |
Yamaha Stagepas 250M
The newest member of Yamaha’s Stagepas family has finally fled the fold. Mike Hillier monitors its progress.
|
 MTM 67 |
SE Electronics 4400a
On paper, the 4400a has everything required of a go-to studio mic, but does it have the sound? Huw Price sizes it up.
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|
 MTM 67 |
ESI ESU1808
Can ESI’s latest audio interface make a splash in the project studio? Mike Hillier gets acquainted with the ESU1808.
|
 MTM 67 |
Yamaha MM8
If you’re after a flexible entry-level keyboard with real-piano feel, this could be the answer. Hollin Jones unwraps the MM8.
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|
 MTM 66 |
Silent Peaks SPK Isolator
|
 MTM 66 |
AKAI MPC5000
AKAI is the firm behind the legendary MPC series, but how will its new flagship MPC5000 fare? Hollin Jones digs in.
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|
 MTM 66 |
PreSonus Monitor Station
Is this the ultimate desktop monitoring and communications system for your recording studio? Huw Price sizes it up.
|
 MTM 66 |
Audio-Technica M3 Wireless In-Ear Monitoring System
In-ear monitors can make life easier for everyone – and AT’s M3 hopes to set new standards. Mike Hillier plugs in.
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|
 MTM 66 |
Allen & Heath Xone:2D
Digital DJs are increasingly wanting more hands-on control over their setup. Hollin Jones finds out if the Xone:2D delivers.
|
 MTM 66 |
Moog Little Phatty Stage II
Moog claims that its Little Phatty Stage II is the most accessible Moog synth to date, but can that actually be true? Hollin Jones puts the latest offering through its paces.
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|
 MTM 65 |
Edirol R-09HR
Edirol has given its R-09 pocket recorder a high-resolution makeover. Mike Hillier spotlights the changes.
|
 MTM 65 |
Novation Nocturn
Novation’s unique Automap Universal system finds its way into another MIDI controller. Mike Hillier sees the light.
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|
 MTM 65 |
TC Electronic Nova Dynamics
TC Electronic has taken the guts from its Nova System and re-released it in stompbox form. Mike Hillier steps on it.
|
 MTM 65 |
Prism Sound Orpheus
The Orpheus brings mastering-grade D/A and A/D conversion technology to the project studio. Mark Cousins sounds it out.
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|
 MTM 65 |
Genelec DSP SE
Can Genelec’s new DSP SE monitoring system turn the real world into an ideal world? Huw Price finds out.
|
 MTM 65 |
SE Electronics Z5600a II
SE has given its Z5600a a makeover, fitting a -10dB pad, bass rolloff and much more besides. Huw Price tries it out.
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|
 MTM 65 |
Allen & Heath ZED-12FX
Allen & Heath has brought effects to its ZED range of small-format mixers. Mike Hillier checks out the ZED-12FX.
|
 MTM 65 |
Yamaha Motif-Rack XS
Almost 12 months after the original Motif XS7 appeared, Yamaha has finally released the rack-based Motif-Rack XS. Mark Cousins finds out if it was worth the wait.
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|
 MTM 64 |
AKAI MPD32
Take two boxes into the studio? AKAI thinks not with its new MPD32 pad and control surface, as Hollin Jones discovers…
|
 MTM 64 |
Solid State Logic Matrix
Solid State Logic’s new Matrix demonstrates a bold new way of looking at the contemporary studio. Mark Cousins finds out if the Matrix is ‘the one’.
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|
 MTM 64 |
SE Electronics SE1000a
The SE1000a has replaced the short-lived Mini as the company’s entry-level condenser. Huw Price tries it out.
|
 MTM 64 |
Fatar Numa
Fatar keyboards are well known for their excellent action, so how will the Numa stack up? Hollin Jones tickles the ivories.
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|
 MTM 64 |
Behringer Xenyx 2442FX
The Xenyx 2442FX is Behringer’s new flagship mixer, suitable for both studio and live work. Mike Hillier rides the faders.
|
 MTM 64 |
Focusrite ISA One
A classic Rupert Neve-designed preamp in a portable package with a fully independent DI channel? Huw Price tries out the ISA One.
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|
 MTM 64 |
Edirol R-44
Edirol has augmented its portable recorder range with the new R-44. Mike Hillier takes it for a stroll.
|
 MTM 64 |
Roland Fantom-G8
When Roland’s flagship workstations get a makeover, expectations are inevitably high. Hollin Jones finds out if the Fantom-G still does the business.
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|
 MTM 63 |
AKG Perception 170
|
 MTM 63 |
CableJog Pro 8
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|
 MTM 63 |
Alesis SR-18
The Alesis SR-16 was a staple of music production for years, so how does the SR-18 compare? Hollin Jones is on the beat.
|
 MTM 63 |
Yamaha KX25
We’d all like a little more hands-on control over our software, but
can Yamaha’s KX25 deliver? Hollin Jones finds out.
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|
 MTM 63 |
AKAI XR20
If you want to make beats without using a computer, AKAI’s XR20 could be the solution. Hollin Jones takes a test drive.
|
 MTM 63 |
Yamaha Pocketrak 2G
The new Pocketrak from Yamaha looks set to bring portable recording to your pocket. Mike Hillier goes for a stroll.
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|
 MTM 63 |
Tascam DP-02
Hardware DAWs don’t have to be all about endless menus, sub-systems and fiddly navigation. Mike Hillier checks out the simple life with Tascam’s new DP-02.
|
 MTM 63 |
Bricasti M7
With the new M7 reverb unit, Bricasti is attempting to prove that the best-sounding reverb still comes in hardware form. Mark Cousins makes some space.
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|
 MTM 63 |
ESI DuaFire
ESI has launched a new entry-level interface complete with FireWire connectivity. Mike Hillier stays up to speed.
|
 MTM 63 |
M-Audio ProFire 2626
M-Audio is well known for its audio interfaces, so how does the company’s new ProFire 2626 stack up against the competition? Hollin Jones plugs in.
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|
 MTM 63 |
Access Virus TI Snow
Access’ Virus synth is legendary in electronic music, and now it’s more portable than ever. Hollin Jones goes on the road with the Virus TI Snow.
|
 MTM 62 |
Kenton Merge-4
|
|
 MTM 62 |
IK Multimedia StompIO
It’s been a long and winding road for IK Multimedia’s StompIO, but the finished product is finally with us. Mike Hillier finds out if the wait was worth it.
|
 MTM 62 |
AKG Perception 120, 220, 420
AKG’s Perception series has recently been expanded, with four new models joining the lineup. Huw Price tries out three of them...
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|
 MTM 62 |
TL Audio Ebony A1
TL Audio’s new Ebony series combines discrete Class A solid-state circuitry with bypassable and user-controllable valve stages. Huw Price tests the A1, A2 and A3.
|
 MTM 62 |
Yamaha 01V96 VCM
Now packing the company’s well-regarded VCM effects, Yamaha offers up the latest version of its 01V96 mixing desk. Mike Hillier gets behind the faders...
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|
 MTM 62 |
Acoustic Energy AE22
It’s fifteen years since Audio Energy introduced a new studio monitor, so how will the company’s AE22s fare? Huw Price listens in...
|
 MTM 62 |
Tascam US-1641
Packing 16 inputs and four outputs, the US-1641 should provide all the connectivity you need. Mike Hillier takes it for a spin...
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|
 MTM 62 |
Euphonix MC Mix
A new generation of control surfaces is emerging that take advantage of Euphonix’s EuCon connection protocol. Mark Cousins introduces the MC Mix...
|
 MTM 61 |
Tascam DR-1
With plenty of portable recorders available, can Tascam’s DR-1 stand out from the crowd? Mike Hillier leaves the studio...
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|
 MTM 61 |
SSL Duende Mini
The Duende Mini certainly lives up to its name, but there’s a surprising amount of power beneath its bonnet. Mark Cousins weighs up the latest addition to the Duende family...
|
 MTM 61 |
CME UF80
A master keyboard with wireless MIDI capabilities and an attractive price tag? Hollin Jones checks out the UF80...
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|
 MTM 61 |
Eventide TimeFactor
The TimeFactor sees Eventide’s studio expertise being ported to stompbox-format pedals. Mark Cousins takes his time...
|
 MTM 61 |
Pioneer CDJ-400
DJ’ing is more popular than ever and the CDJ-400 looks to take digital disc spinning even further. Hollin Jones investigates...
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|
 MTM 61 |
TC Electronic PowerCore X8
With ever faster CPUs in studio computers, is there still a need for outboard DSP? Mike Hillier plugs in to find out...
|
 MTM 61 |
IK Multimedia ARC
IK’s ARC could help improve your mixes without you needing to upgrade your gear. Huw Price calibrates good times...
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|
 MTM 61 |
SPL Transducer Model 2601
Recording a guitar amp full-blast is not always feasible, but with the SPL Transducer you can. Huw Price turns it up...
|
 MTM 60 |
M-Audio Studiophile Q40
|
|
 MTM 60 |
Novation Nio 2/4
Good things do come in small packages, but can Novation’s new nio 2 | 4 punch above its weight? Hollin Jones finds out...
|
 MTM 60 |
Alesis MultiMix 16 USB 2.0
Alesis’ new compact mixer offers 18 direct inputs to your DAW. Could it be the perfect front end for your project studio? Mike Hillier delves into the mix...
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|
 MTM 60 |
Inta Audio X4S
Multi-core systems are fast becoming the standard for audio PCs, so how will INTA Audio’s X4S system clock up? Hollin Jones finds out...
|
 MTM 60 |
Superlux R102
The Superlux R102 is an active ribbon mic for under £100. Is it true to life or too good to be true? Huw Price investigates.
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|
 MTM 60 |
PreSonus FireStudio Project
The FireStudio Project is the next generation of the popular FirePod, so does it sound better than its predecessor? Keith Gemmell fires it up...
|
 MTM 60 |
TL Audio Fat Track
At last: an affordable analogue tracking, summing and monitoring solution for DAW-based project studios. Keith Gemmell does his sums...
|
|
 MTM 59 |
AKAI MPK49
AKAI’s MPK49 aims to be the ultimate performance controller while remaining equally adept on stage. Mike Hillier is in key...
|
 MTM 59 |
Yamaha n12 Digital Mixing Studio
Can Yamaha’s n12 range set the stage alight? Mike Hillier delves into the mix...
|
|
 MTM 59 |
Universal Audio 2-LA-2
Universal Audio’s latest re-issue is a faithful re-creation of the revered LA2A. Huw Price finds out if it lives up to expectation.
|
 MTM 59 |
Native Instruments Kore 2
With a revised control surface and 500 integral sounds, does Kore 2 live up to expectations? Mark Cousins takes a peek...
|
|
 MTM 59 |
Blue Coconut Echo Verb
Does the Echo Verb have the convenience and vintage sound to pull the plug on the plug-ins? Huw Price listens closely.
|
 MTM 59 |
CME M-Key
|
|
 MTM 59 |
ART Tube Fire 8
ART’s latest eight-channel tube preamp/digital interface couples impressive audio quality with sublime ease of use. Huw Price fires up the Tube 8...
|
 MTM 59 |
TC Electronic Studio Konnekt 48
TC Electronic’s new baby is much more than just another run-of-the-mill audio interface. Hollin Jones finds out what’s so special about the Studio Konnekt 48...
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|
 MTM 58 |
CEntrance MicPort Pro
|
 MTM 58 |
Digidesign Mbox2 Micro
|
|
 MTM 58 |
Radial JPC
|
 MTM 58 |
Apogee Symphony Mobile
Laptop recording makes its biggest leap yet, thanks to Apogee’s Symphony Mobile. Mark Cousins takes the baton...
|
|
 MTM 58 |
KRK Systems VXT8
Do KRK’s VXT monitors share the same design philosophies as the company’s flagship Exposé range? Huw Price finds out...
|
 MTM 58 |
Kurzweil SP2X
If you’re more of a performer than a programmer, Kurzweil may just have produced the stage piano you’ve been waiting for. Hollin Jones checks out the SP2X...
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|
 MTM 58 |
Phonic Helix Board 18 FireWire MKII
Can a few small changes make a big difference to Phonic’s updated Helix Board? Mike Hillier investigates...
|
 MTM 58 |
Zoome Handy Recorder H2
Zoom has augmented its portable recorder range with the pocket-sized H2. Mike Hillier hits the road...
|
|
 MTM 57 |
Samson Audio G-Track
Samson’s G-Track is the latest entrant in an ever-growing line-up of USB microphones. Huw Price plugs in...
|
 MTM 57 |
Focusrite ISA828
Focusrite’s ISA828 boasts eight Rupert Neve-designed mic pres, but is it a worthy successor to the revered ISA428? Huw Price finds out...
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|
 MTM 57 |
PreSonus HP60
The PreSonus HP60 offers a professional monitoring solution at an affordable price. Keith Gemmell listens in...
|
 MTM 57 |
Allen & Heath ZED 14
Entry-level mixers represent new territory for Allen & Heath, so can the ZED 14 cut the mustard? Mike Hillier sizes it up...
|
|
 MTM 57 |
ESI nEAR 08
ESI’s nEAR range of active reference monitors just got bigger, with the new 08 packing 140 watts of onboard amplification. Huw Price lends an ear...
|
 MTM 57 |
Roland SonicCell
Packing plenty of features plus performance portability is Roland’s new SonicCell. Hollin Jones hits the road...
|
|
 MTM 57 |
M-Audio EX66
M-Audio’s design team set some ambitious goals in designing the EX66. Huw Price listens in...
|
 MTM 57 |
Telefunken ELA M 250F
Vintage mics are often cited as being among the best – and this offering is vintage to the roots. Huw Price goes back in time...
|
|
 MTM 57 |
Universal Audio UAD-Xpander Xpress
The UAD-1 system has now made the transition to the laptop, but is the UAD-Xpander Xpress a realistic solution for mixing on the move? Mark Cousins goes mobile...
|
 MTM 56 |
Thermionic Culture Earlybird 1.2
Thermionic Culture has given its Earlybird valve preamp a makeover. Huw Price sounds it out...
|
|
 MTM 56 |
Yamaha Tenori-on
Yamaha has a history of innovation, but has it outdone itself with Tenori-On? Hollin Jones finds out...
|
 MTM 56 |
Universal Audio DCS Remote Preamp
Universal Audio’s DCS Remote is a combination of preamps, talkback and monitoring tools. Huw Price listens in...
|
|
 MTM 56 |
Yamaha MW12CX
If your budget won’t extend to multi-I/O interfaces but you need some extra flexibility in your project studio, the MW12CX could be the answer. Mike Hillier gets in the mix...
|
 MTM 56 |
Mackie Control Universal Pro
Why be a slave to your mouse when the Mackie Control Universal Pro provides all the hands-on fader access you need? Mark Cousins takes control...
|
|
 MTM 56 |
Apple MacBook Pro
The adoption of Intel chips has given Apple’s high-end laptops the momentum music producers on the move have been dreaming of. Mark Cousins takes to the road...
|
 MTM 55 |
Native Instruments Traktor Scratch
Native Instruments has decided to go it alone in the DJ market, but can its Traktor Scratch rise above the competition? Mike Hillier cues up...
|
|
 MTM 55 |
Novation ReMOTE 49SL Compact
Novation’s innovative AutoMap feature comes to a new range of controllers. Mike Hillier goes remote...
|
 MTM 55 |
Tascam FireOne
Tascam and Frontier Design continue to bring hands-on control to the project studio. Mike Hillier is on fire...
|
|
 MTM 55 |
Yamaha MG166CX USB
Yamaha augments its MG range of mixers with a USB-equipped model. Mike Hillier is behind the desk...
|
 MTM 55 |
Rode M3
Røde is offering its own alternative to USB- or preamp-powered microphones. Huw Price sizes up the new M3.
|
|
 MTM 55 |
Sontronics Apollo
Sontronics is aiming to build on the success of its Sigma with the active stereo Apollo. Huw Price lifts off...
|
 MTM 54 |
tfpro P110
Ted Fletcher’s new company has developed a new recording channel based on classic designs. Huw Price tests the P110.
|
|
 MTM 54 |
SE Electronics Instrument Reflexion Filter
SE’s original Reflexion Filter was a huge success, but will its Instrument version equal it? Grant Bridgeman finds out.
|
 MTM 54 |
Line 6 Pocket POD
Line 6’s POD family has been augmented by a new, slimmed down member. Mike Hillier pockets the difference...
|
|
 MTM 54 |
Korg M3
The Korg M1 had the distinction of being the world’s first workstation, so is the company’s new M3 likely to be equally distinguished? Hollin Jones finds out...
|
 MTM 54 |
AMS-Neve 8801
The 8801 channel strip offers every serious musician the possibility of owning at least part of a Neve 88RS console. Mark Cousins channels his energies...
|
|
 MTM 53 |
Edirol M-16DX
Edirol has raised the bar with its digital M-16DX, but how does it square up to its analogue rivals? Keith Gemmell is in bits...
|
 MTM 53 |
SE Electronics GM10
Fidgeting guitarists can be the bane of an engineer’s life, making recording sessions frustrating. Huw Price tightens the screw...
|
|
 MTM 53 |
Solid State Logic Alpha VHD Pre
SSL looks set to continue its foray into the project studio market with its latest release. Mark Cousins is all ears...
|
 MTM 53 |
M-Audio Pulsar II
M-Audio brought us something special with the Sputnik, so the Pulsar II has been keenly awaited. Huw Price dons a small cap.
|
|
 MTM 53 |
Roland V-Synth GT
FREE FULL REVIEW. Roland's V-Synth re-wrote the book on innovative sound creation, so can the company's new V-Synth GT live up to the family name? Hollin Jones finds out...
|
 MTM 53 |
TerraTec AXON AX-50 USB
Guitarists are enjoying ever more choice when it comes to MIDI control. Hollin Jones finds out what the AX-50 has to offer...
|
|
 MTM 50 |
E-mu 0404 USB
Portable interfaces are more popular now than ever, so how will E-mu’s new baby perform? Hollin Jones finds out...
|
 MTM 52 |
Solid State Logic Mixpander
Promising superlative audio interfacing and DSP power, is SSL’s Mixpander the ultimate in I/O? Mark Cousins gets connected.
|
|
 MTM 52 |
CAD Trion 8000
CAD’s Trion 8000 is a brand-new multi-pattern valve condenser with a lollipop capsule. Huw Price has it licked...
|
 MTM 52 |
M-Audio Torq Conectiv
M-Audio takes on the big guns of digital DJ’ing with a hardware/software bundle that aims to provide you with all you need to hit the clubs. Mike Hillier cues up...
|
|
 MTM 52 |
Audio-Technica AT4047SV
AT’s proven capsule technology is combined with a FET preamp in the company’s AT4047SV. Huw Price plays the field.
|
 MTM 52 |
Dynaudio BM 6A mkII
Dynaudio has upgraded its popular BM 6A monitor to create the BM 6A mkII. Huw Price is all ears...
|
|
 MTM 52 |
Zoom HD16
Zoom’s HD16 is a multi-track digital recorder that doubles as a DAW control surface. Keith Gemmell finds out if it’s on track...
|
 MTM 45 |
KRK Systems V6
Can KRK’s trademark yellow-cone V6 monitors drive the competition into the background? Huw Price revs up...
|
|
 MTM 52 |
Yamaha Motif XS7
Competition in the high end of the synth market is hotting up, so has Yamaha’s new flagship Motif XS got what it takes to make it to the top? Hollin Jones finds out...
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 MTM 51 |
Alesis i/o26
This feature-packed audio interface looks set to become a home studio favourite. Keith Gemmell examines the ins and outs...
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 MTM 51 |
Yamaha MM6
Entry-level workstations are becoming increasingly powerful, so does Yamaha’s new MM6 have enough features to make it a worthy contender? Hollin Jones finds out...
|
 MTM 51 |
Digidesign 003 Factory
Digidesign has finally released the much-anticipated successor to that studio stalwart the 002. Mark Cousins charts the changes...
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|
 MTM 51 |
Samson Audio VR88
Samson is getting serious about studio-quality mics and the VR88 is one of its hot new products. Huw Price is foiled again.
|
 MTM 51 |
Mark Of The Unicorn 8pre
Offering both audio interfacing and A/D conversion, is the 8pre a comprehensive studio solution? Keith Gemmell finds out...
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|
 MTM 51 |
Zoom H4
Zoom’s H4 combines portable recording with audio interfacing capabilities. Mike Hillier asks if it’s a match made in heaven.
|
 MTM 51 |
Focusrite Saffire Pro 10 i/o
The Saffire family continues to grow with the emergence of its newest member. Mike Hillier steps out with the PRO 10 i/o...
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 MTM 51 |
Frontier Design Group AlphaTrack
With its motorised fader and tactile controls, does AlphaTrack beat mixing with a mouse? Keith Gemmell gets hands-on...
|
 MTM 50 |
Yamaha EMX5016CF
Yamaha’s latest live mixer packs a punch, offering 500 watts of power per channel. Mike Hillier gets into the mix...
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|
 MTM 50 |
Akai MPC500
We’d all like to be able to produce music on the move, but can it be done without a laptop? AKAI thinks so, as Hollin Jones finds out when he road tests the MPC500...
|
 MTM 50 |
Quested S7
Bridging the price and frequency gap between Quested’s S6 and S8 monitors is the new S7. Huw Price joins the quest.
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|
 MTM 50 |
Phonic FireFly 302
Portable recorders are becoming increasingly capable and ever more affordable. Hollin Jones checks out another contender...
|
 MTM 50 |
Rupert Neve Designs Portico 5016
Sporting an unusual and interesting Phase Adjust control, the 5016 simply demands closer inspection. Huw Price lines up.
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|
 MTM 50 |
Roland MV-8800
Despite the rise of software, hardware music production systems are here to stay. Keith Gemmell ditches his DAW...
|
 MTM 50 |
M-Audio NRV10
Every recording musician needs a mixer as well as an interface, but can you have both in one box? Hollin Jones finds out...
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|
 MTM 50 |
Yamaha MSP7 Studio
Designed by the father of the NS10, the MSP7 is the cutting edge of Yamaha’s active monitor range. Huw Price listens in...
|
 MTM 50 |
Tascam 2488mkII
Tascam invented the Portastudio concept, but does the company’s new 2488MkII keep that pioneering vision alive? Mark Cousins investigates its latest offering...
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|
 MTM 49 |
Apogee Ensemble
FireWire audio interfacing finally gets a much-needed injection of audiophile quality. Mark Cousins witnesses the debut performance of Apogee’s Ensemble.
|
 MTM 49 |
Tascam US-122L
Looking to move into the field of computer-based recording? Mike Hillier takes his first steps with the US-122L...
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 MTM 49 |
PreSonus FireStudio
Based on the popular Firepod, the new FireStudio audio interface boasts 26 ins and 26 outs as well as flexible control console routing. Keith Gemmell gets fired up...
|
 MTM 49 |
BOSS Micro BR
Another newcomer joins the ever-growing ranks of portable digital recorders. Mike Hillier hits the road with the Micro BR...
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|
 MTM 49 |
Yamaha Stagepas 500
Yamaha’s portable PA range is getting bigger and louder. Mike Hillier takes to the road with the Stagepas 500.
|
 MTM 49 |
Digidesign Mbox 2 Mini
The Pro Tools environment is growing rapidly, but this interface is Digidesign’s smallest to date. Mike Hillier downsizes....
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|
 MTM 49 |
Line 6 GearBox Plug-In Gold Bundle
Line 6 unleashes its GearBox software as a plug-in, bringing its legendary modelling to DAW users. Mike Hillier sets the tone...
|
 MTM 48 |
Line 6 TonePort KB37
Line 6 has united the TonePort audio interface with a 37-note keyboard and a MIDI controller. Mike Hillier assesses the KB37.
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 MTM 48 |
TL Audio M1 Tubetracker
Forget small-footprint modern mixers – TL Audio’s M1 Tubetracker is a console that seriously states its presence. Mark Cousins feels a warm glow...
|
 MTM 48 |
SE Electronics USB2200a
A plug‘n’play quality microphone ready for use whenever inspiration strikes? Huw Price sizes up the USB2200a...
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 MTM 48 |
PreSonus FaderPort
If you’re tired of recording and mixing using a mouse, FaderPort could be just what you need. Keith Gemmell sacks his rodent...
|
 MTM 48 |
Neve 8803
Two channels of Neve-quality EQ can be enjoyed for significantly less money than you might expect. Mark Cousins checks out the latest addition to the 88 series – the 8803.
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 MTM 48 |
Edirol R-09
Can Edirol’s ultra-portable R-09 recorder capture the imagination wherever you are? Mike Hillier takes to the road...
|
 MTM 48 |
Roland VP-550
Don’t have sufficient room to accommodate a gospel choir in your studio? Help is at hand, as Hollin Jones finds out when he stirs up the Roland VP-550...
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|
 MTM 48 |
M-Audio Sputnik
Is M-Audio’s new Sputnik the ‘sonic bridge’ between a Neumann U47 and an AKG C12? Huw Price blasts off...
|
 MTM 48 |
Rupert Neve Designs Portico 5033
The Neve sound is the stuff of legend – and its popularity shows no sign of waning. George Shilling processes the 5033.
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|
 MTM 47 |
Roland BR-600
Smaller than most notebook computers and packed with features, can an 8-track digital recorder this small really deliver the goods? Keith Gemmell finds out who’s BOSS...
|
 MTM 47 |
Peavey PV 10 USB
Peavey equips its PV range of analogue mixers with USB ports, enabling direct DAW connectivity. Mike Hillier mixes in...
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|
 MTM 47 |
AKAI MPD24
It’s got a rich heritage, but can AKAI’s new MIDI controller live up to expectations? Hollin Jones beats a path to the MPD24...
|
 MTM 47 |
SE Electronics H1
SE has re-voiced the capsule of its SE1a for a new role in the company’s hand-held H1. Petra Jones finds out more...
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|
 MTM 47 |
Focusrite Saffire PRO 26 I/O
Focusrite’s latest addition to its Saffire range boasts a wealth of ins and outs. Mark Cousins goes PRO...
|
 MTM 47 |
Tascam US-144
USB 2.0-equipped entry-level interfaces are a rarity, but the US-144 bucks the trend. Mike Hillier goes high-speed...
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|
 MTM 47 |
TC Electronic Konnekt 24D
Boasting built-in effects from the company’s PowerCore platform, TC’s new mid-priced audio interface looks like one heck of a bargain. Keith Gemmell plugs in to find out...
|
 MTM 47 |
Solid State Logic Alpha Channel
SSL is renowned for its pro-end hardware, but the company has recently turned its attention to the project studio market and is bringing that legendary sound quality within the scope of more modest budgets. Mark Cousins checks out the Alpha Channel..
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|
 MTM 46 |
Audio-Technica ATM710
The ATM710 is designed specifically for live vocal use, but what does it offer over the competition? Huw Price finds out...
|
 MTM 46 |
M-Audio X-Session Pro
The venerable X-Session DJ controller has undergone a much-anticipated makeover. Mike Hillier goes Pro...
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|
 MTM 46 |
Korg KAOSS Pad KP3
Korg’s popular KAOSS Pad has had a makeover and boasts a raft of new features. Hollin Jones checks out the KP3.
|
 MTM 46 |
DPA SMK4061
DPA’s new SMK4061 stereo mic kit really can get to those places other mics just can’t reach. Huw Price gets stuck in.
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 MTM 46 |
Native Instruments Audio Kontrol 1
Native Instruments makes its much-anticipated move into the audio hardware world. Mike Hillier treads a new path...
|
 MTM 46 |
Lexicon MX400
With surround capabilities and four processors, can the MX400 raise the bar in the reverb stakes? Mark Cousins gets effected.
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|
 MTM 46 |
TC Electronic G-Sharp
Want studio-quality reverb and delay but can’t find a decent pedal? Enter the G-Sharp. Huw Price finds space in his rack.
|
 MTM 46 |
Monome Monome 40h
If a fully customisable multi-purpose controller is what you need, have a look at the 40h. JoE Silva gets his hands dirty...
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|
 MTM 46 |
Roland Juno-G
Its heritage is undeniably second to none, but will Roland’s latest synth live up to the high standards set by its predecessors? Hollin Jones lifts off with the Juno-G...
|
 MTM 45 |
Mackie Onyx Satellite
Mackie’s new Onyx Satellite is equally at home in the studio as it is on the road. Mark Cousins has the best of both worlds...
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|
 MTM 45 |
Novation XioSynth x25
Novation’s latest synth promises a wealth of features in a truly portable package. Hollin Jones takes to the road with the XioSynth x25...
|
 MTM 44 |
Adam A7
The ART ribbon tweeter remains, but the A7s get a brand-new woofer and 100 watts of power. Huw Price is in the firing line.
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|
 MTM 44 |
M-Audio MidAir 25
M-Audio’s new MIDI controller brings wireless technology to the popular Oxygen8. Mike Hillier breathes in the Air...
|
 MTM 44 |
Rode NT55
Rode’s NT55 is a mic with a difference – you get both omni-directional and cardioid capsules. Huw Price finds his match...
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|
 MTM 44 |
ART TUBE MP
ART has transformed its TUBE MP Project Series valve pre into an easy-to-use USB audio interface. Keith Gemmell warms up.
|
 MTM 44 |
TC-Helicon VoiceDoubler
TC-Helicon expands its range of vocal processors with the new rackmount VoiceDoubler. Mark Cousins sings out...
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|
 MTM 44 |
Crowley and Tripp Naked Eye
With its roots in medical science, Crowley and Tripp has gone on to manufacture pro-quality ribbon mics. Huw Price bares all...
|
 MTM 44 |
PreSonus DigiMax FS
More than just an 8-channel mic preamp, PreSonus’ new DigiMax FS offers a whole new way of getting sound in and out of your DAW. Mark Cousins gets connected...
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|
 MTM 43 |
Novation ReMOTE ZeRO SL
Retaining all the control capabilities of the original SL series, the ZeRO SL simply lacks keys. Mike Hillier maps it out...
|
 MTM 43 |
Fostex NX-6A
Once the doyen of portable recording, Fostex now produces speakers, mics and more. Huw Price checks out the NX-6As.
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|
 MTM 43 |
Event ALP 5
Now in the hands of mic makers Røde, Event looks set to make an impact outside its native US. Huw Price listens in...
|
 MTM 43 |
Focusrite Liquid Mix
With over 60 emulations of vintage compressors and equalizers, could Focusrite’s Liquid Mix revolutionise software mixing as we know it? Mark Cousins goes with the flow...
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|
 MTM 43 |
TC Electronic C300
Multi-band compression and expansion TC Electronic-style is now within everyone’s reach. Mark Cousins gets dynamic...
|
 MTM 43 |
Soundcraft EPM6
Does this big-name small-format mixer maintain its maker’s enviable reputation for quality? Mark Cousins mixes in...
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|
 MTM 43 |
Ghost Acoustics Ghost
Ghost Acoustics’ sound absorption panels bring a new level of flexibility to acoustic treatment. Grant Bridgeman listens in...
|
 MTM 43 |
Yamaha CP300
Yamaha was a key player in the digital piano revolution, which changed the way pianists thought about playing live. Hollin Jones meets the company’s latest model – the CP300.
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|
 MTM 42 |
Mackie d.2
Mackie has jumped headfirst into the DJ arena with the d.2 two-channel mixer. Mike Hillier unleashes his decks.
|
 MTM 42 |
SSL Duende
Once the preserve of high-end professional studios, SSL finally brings its hit-making technology to the masses. Mark Cousins unlocks the wonders of Duende...
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|
 MTM 42 |
Shure KSM9
If you feel that your live vocal mic is letting you down, maybe it’s time to consider a change. Huw Price picks up the KSM9.
|
 MTM 42 |
Fostex CR500 BWF Mastering Recorder
A pro-quality mastering and playback machine at a project studio price? Keith Gemmell asks the burning questions...
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|
 MTM 42 |
Roland SH-201
Roland reinvents a modern classic and arms it with a host of new features, but can it live up to the company’s high reputation? Hollin Jones gets intimate with the SH-201...
|
 MTM 42 |
Violet Gold Finger
Violet continues to expand its product line with the mediumcapsule Gold Finger. Huw Price puts it through its paces.
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|
 MTM 42 |
Lexicon Lambda
Lexicon continues to expand its ever-growing range of USB audio interfaces. Mark Cousins sizes up the latest offering...
|
 MTM 42 |
Focusrite Saffire LE
One of last year’s most exciting FireWire interfaces gets a sleek makeover for 2006. Mark Cousins fires it up...
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|
 MTM 42 |
TRUE Systems P-Solo
Can TRUE Systems’ new P-Solo raise the company’s profile away from its native shores? George Shilling goes it alone.
|
 MTM 41 |
Fostex MR-8HD
Fostex’s MR-8HD offers many refinements to the original concept, including an integral hard drive and improved recording quality. Mark Cousins gets tracking...
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|
 MTM 41 |
Mark Of The Unicorn Ultralite
MOTU keeps up the good work with another portable FireWire interface. Mike Hillier steps out with the UltraLite.
|
 MTM 41 |
Violet Global Pre
Assembling a collection of quality mics used to be a particularly expensive business... Huw Price plays mix and match.
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|
 MTM 41 |
Roland MC-808
Roland’s latest Groovebox is packed with earth-shaking electronic sounds and even boasts motorised faders. Hollin Jones puts the MC-808 through its paces...
|
 MTM 41 |
Quested S6
Can Quested’s latest entry into the active monitor market build on the company’s success? Huw Price ploughs the nearfield.
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|
 MTM 41 |
Ted Fletcher Audio Gear P38
The reign of the much-acclaimed P8 ends with the release of the new P38. George Shilling watches the coronation.
|
 MTM 41 |
Mackie SA1521z
Mackie has teamed up with EAW to produce these precision tuned loudspeakers. Mike Hillier gets an ear-bashing...
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|
 MTM 41 |
Edirol UA-4FX
The UA-4FX is equipped with the basic tools required for most recording tasks. Mike Hillier finds out if small is beautiful...
|
 MTM 41 |
MindPrint Trio USB
With all the essentials for recording, analogue sound-shaping and studio monitoring in one box, Keith Gemmell assesses whether the TRIO is the ideal desktop recording solution.
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|
 MTM 41 |
Korg Radias
Good things do sometimes come in small packages, as Hollin Jones finds out when he test-drives Korg’s new baby, the deceptively compact Radias.
|
 MTM 40 |
Phonic Helix Board 24 FireWire
Analogue meets digital in Phonic’s latest small-format mixer. Mike Hillier unwinds with the Helix Board 24 FireWire.
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|
 MTM 40 |
Native Instruments Kore
Will Native Instruments’ new universal sound platform change the way you work with software instruments and effects? Mike Hillier digs in to find out...
|
 MTM 40 |
Akai MPC2500
They’re a favourite with hip hop artists the world over, but will the AKAI MPC2500 be able to live up to the reputation? Hollin Jones samples it for himself.
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|
 MTM 40 |
Rupert Neve Designs Portico 5043
Industry legend Rupert Neve introduces a compressor to the Portico series, furthering its appeal. George Shilling takes it to the limit.
|
 MTM 40 |
Tannoy Precision 6D
Tannoy’s active Precision series blends old and new technologies to superb effect. Huw Price listens in...
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|
 MTM 40 |
Sontronics Sigma
Sontronics’ new active ribbon microphone promises the ribbon sound and condenser convenience. Huw Price powers up.
|
 MTM 40 |
Universal Audio Solo/110 & Solo/610
Catering for both solid-state and tube enthusiasts, Universal Audio’s latest pair of mic preamps are priced for the project studio. Huw Price goes it alone...
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|
 MTM 40 |
Korg X50
Korg’s new baby packs all the punch of a heavyweight sound engine in a light and portable package. Will it be a knockout? Hollin Jones gets a handle on the X50...
|
 MTM 39 |
M-Audio Axiom 25
A MIDI controller is one of the most fundamental requirements for a project studio. Mike Hillier goes back to basics with M-Audio’s Axiom 25...
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|
 MTM 39 |
Tascam DM-3200
Does Tascam’s DM-3200 finally offer us a digital console fit for today’s DAW-driven studios? Mark Cousins gets his fingers on the faders...
|
 MTM 39 |
Sennheiser E912
Sennheiser’s e912 boundary mic joins the e901 bass drum mic in the 900 series. Huw Price explores the peripheries.
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|
 MTM 39 |
Alesis Fusion 8HD
The latest feature-packed workstation from Alesis promises to fulfil your every studio need. Hollin Jones gets it together with the Fusion 8HD...
|
 MTM 39 |
Tascam HD-P2
Professional field recording just got easier thanks to Tascam’s HD-P2. Mike Hillier takes it on the road.
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|
 MTM 39 |
Yamaha MW12
Yamaha enters the world of USB mixing, but what does its MW12 offer over the competition? Mark Cousins finds out.
|
 MTM 39 |
Ted Fletcher Audio Gear P10 The mighty Twin
The man behind the Ted Fletcher brand came to prominence with his ground-breaking Joemeek designs. George Shilling casts an eye over his latest offering.
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|
 MTM 39 |
SE Electronics Reflexion Filter
A controlled acoustic environment is essential for general-purpose recording, but once that acoustic foam is stuck to the wall, you won’t get it off! Huw Price finds another solution.
|
 MTM 39 |
SE Electronics Ribbon
Having brought quality condensers to the masses, Chinese manufacturers are focusing on ribbon mics. Huw Price listens in.
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|
 MTM 38 |
Yamaha HS80M
Yamaha’s HS80M active monitors promise to follow the tradition of the company’s legendary NS10s. Huw Price listens in.
|
 MTM 38 |
Samson Audio C01U USB Microphone
If you’re on the road or limited by a lack of hardware, a USB mic is the perfect solution. Huw Price plugs in and plays.
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|
 MTM 38 |
TerraTec Axon AX 100 mkII
The synthesis and sampler market is dominated by keyboard players, but TerraTec is hoping the Axon will help guitarists to gatecrash the party. Mike Hillier picks up his Ax.
|
 MTM 38 |
Yamaha M08
Yamaha’s newest workstation certainly boasts a wealth of player-oriented features, but does it cover all the bases? Hollin Jones test-drives the MO8.
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|
 MTM 38 |
Creamware Pro-12 ASB
Creamware’s latest Authentic Sound Box synth is modelled on a genuine classic. Hollin Jones goes retro...
|
 MTM 38 |
TL Audio Fat Funker
TL Audio’s Fatman series has had a makeover, and this latest offering is a guitar front-end processor with valve compression and EQ. Huw Price meets the Fat Funker...
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|
 MTM 38 |
Alesis MultiMix 16 FireWire
The MultiMix 16 features FireWire connectivity alongside a host of useful features. Mark Cousins finds out what else’s on offer...
|
 MTM 37 |
Acoustic Energy AE1 Classic
The original AE1s built up such a following that Acoustic Energy decided to produce these Classic re-issues. Huw Price listens in.
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|
 MTM 37 |
Novation Novation ReMOTE 25 SL
Configuring a MIDI controller can be a time-consuming and frustrating job, but Novation’s latest offering aims to make life easier. Mike Hillier lets the ReMOTE 25 SL take control.
|
 MTM 37 |
Korg D4
If you’re out of the studio when inspiration strikes, that hit tune might stay in your head for good. Mark Cousins finds a solution.
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|
 MTM 37 |
Tapco Link.USB
Small, portable and rugged – is Tapco’s Link.USB audio interface ready for the road? Mike Hillier takes a tour...
|
 MTM 37 |
AKG Perception 100
For years the AKG sound was the preserve of top studios, but the Perception 100 could change all that. Huw Price finds out.
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 MTM 37 |
Alesis Photon X25
With its Photon X25, Alesis is attempting to shake up the portable MIDI controller market. Mike Hillier puts it through its paces.
|
 MTM 36 |
M-Audio ProKeys 88
The days of using one dedicated keyboard in the studio and another on the stage are seemingly numbered. Hollin Jones tinkles the ivories of M-Audio’s new ProKeys 88.
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|
 MTM 36 |
Apple Power Mac G5 Quad
Apple is meeting the ever-growing demands of today’s music-production software by putting not two, but four processors into its top-end Mac. Hollin Jones feels the need for speed...
|
 MTM 36 |
DPA Microphones 4090 & 4091
DPA has squeezed its 4061 capsule into a more conventional body to create the 4090 and 4091. Huw Price gets the point.
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|
 MTM 36 |
SE Electronics Mini
When it comes to price, small is beautiful – but is quality inevitably compromised? Huw Price measures up SE’s Mini.
|
 MTM 36 |
Allen & Heath MixWizard WZ3 20S
Does Allen & Heath’s latest offering meet the multiple demands placed on modern-day mixers? Hollin Jones finds out.
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 MTM 36 |
Carillon Centrino+
These days you want your audio laptop to be more than just a portable studio – but you won’t want to sacrifice portability for power. Hollin Jones gets connected with the Centrino+.
|
 MTM 35 |
M-Audio ProjectMix I/O
If you’ve been dreaming of hands-on mix control coupled with multi-channel audio recording, it’s time to wake up. Hollin Jones discovers the ProjectMix I/O.
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 MTM 35 |
Yamaha EMX512SC
Yamaha’s latest take on the powered mixer comes with some serious muscle. Kieran Robinson takes it on the road.
|
 MTM 35 |
Sontronics STC-1
All-purpose microphones are just as limiting as the cost of three dedicated mics, but Sontronics’ STC-1 aims to cover all the bases. Huw Price puts it through its paces.
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|
 MTM 35 |
Line 6 Toneport UX2
Can Line 6’s new hybrid hardware/software amp modelling solution rise above the competition? Mike Hillier puts the TonePort UX2 through its paces.
|
 MTM 35 |
Korg D3200
With up to 32 tracks and a host of recording features, does Korg’s D3200 set a new standard for the personal multitrack recorder? Mark Cousins finds out.
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|
 MTM 35 |
M-Audio Microtrack 24/96
Frustrated by your inability to memorise that spontaneous burst of inspiration? Mike Hillier finds another way of keeping tracks...
|
 MTM 34 |
Waves APA44-M
Are all those processor-hungry convolution reverbs straining your CPU resources? Mark Cousins explores Waves’ latest performance-enhancing products – the APA series.
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|
 MTM 34 |
Universal Audio LA-3A
The solid-state LA-3A compressor superseded the valve Teletronix LA-2A and is the latest in UA’s range of slavishly accurate reissues. Huw Price goes back in time.
|
 MTM 34 |
Access Music Virus TI
How do you improve on a synth that’s already considered a modern classic? Hollin Jones integrates with the Virus TI...
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|
 MTM 34 |
Digidesign Mbox 2
The simplest route into the Pro Tools universe gets a makeover, but what does the Mbox 2 offer over the original design? Mark Cousins gets boxed up...
|
 MTM 34 |
Fatar Studiologic VMK-188 Plus
Fatar’s latest flagship MIDI controller adds numerous hands-on features to the company’s popular weighted piano keyboard. Hollin Jones gets in on the action...
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|
 MTM 34 |
Lexicon MX200
The hard-to-read LCD screens of Lexicon’s PCM series appear to be a thing of the past, with the MX200 promising a more ergonomic way to that unique sound. Huw Price gets lush.
|
 MTM 34 |
Echo Digital Audio AudioFire 12
Echo’s AudioFire 12 interface is capable of bringing together your computer and a whole host of outboard analogue gear. Mike Hillier is all fired up.
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|
 MTM 33 |
Tannoy Reveal 5A
The market for small active nearfield monitors is highly competitive and crammed with contenders, so are the new Tannoy 5As in with a shout? Huw Price investigates.
|
 MTM 33 |
Inta Audio AMD 64 X2 Dual-Core Workstation
64-bit processing heralds a new era in music production, offering previously unimaginable creative possibilities. Hollin Jones test drives Inta Audio’s turbo-charged workstation.
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|
 MTM 33 |
E-mu 1616M
E-mu has created an interesting CardBus alternative to FireWire and USB interfaces for laptop users. George Shilling slides it in.
|
 MTM 33 |
Hammond XK-3
The Hammond B3 is one of the best-known instruments of all time – and now the XK-3 looks set to continue its legacy. Hollin Jones gets fired up...
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|
 MTM 33 |
Phil Rees Pentium M Desktop
Computer noise can ruin an otherwise perfectly good recording, but noise is not something that will worry owners of the new Pentium M Desktop from Phil Rees. Hollin Jones is all ears...
|
 MTM 33 |
TerraTec Phase X24FW
The rise and rise of FireWire interfaces continues unabated, with German manufacturer TerraTec bringing yet more choice to this expanding market. George Shilling looks over the latest offering.
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|
 MTM 33 |
Animazoo GypsyMIDI MoCap MIDI Controller
Fed up with standard MIDI controllers? Wish your every move could be used to control music? Mike Hillier finds a new way.
|
 MTM 33 |
Rode NT6
Unlike Victorian children, good mics sometimes need to be heard, but not seen – and the new NT6 promises high fidelity in hard-to-reach places. Huw Price hits the Røde.
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|
 MTM 32 |
Yamaha S90 ES
Tired of taking two keyboards on stage? Fear not, Yamaha’s S90 ES is here – and it’s going to change the way you think about playing. Hollin Jones explains why.
|
 MTM 32 |
Tascam FW-1804
With up to 18 simultaneous audio inputs and MIDI connectivity, Tascam’s FW-1804 certainly looks like a serious FireWire audio interface. Mark Cousins gets connected.
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|
 MTM 32 |
Samson Audio Resolv 2.1
Full-range monitoring solutions often consume more than their fair share of studio space, but compromise in this area is not a desirable option. Huw Price explains the subplot.
|
 MTM 32 |
Creamware Minimax ASB
Creamware’s latest synth is more real than virtual and aims to faithfully re-create a much-loved classic. Hollin Jones takes it to the max...
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|
 MTM 31 |
Mackie Onyx 400F
With high-grade preamps and 192kHz FireWire audio interfacing, the Onyx 400F aims to be a master of two trades. Mark Cousins puts it through its paces.
|
 MTM 31 |
Yamaha AW1600
Why struggle with Logic Pro or Cubase SX when you can have a dedicated hardware solution for recording? Mark Cousins opens Yamaha’s latest box of delights...
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|
 MTM 31 |
E-mu Xboard 49
With more and more hands-on software out there, portable USB MIDI keyboards are the order of the day. Hollin Jones gets to grips with E-mu’s Xboard 49…
|
 MTM 31 |
TC Electronic G-System
It might lack one fundamental guitar effect, but TC Electronic’s new G-System delivers the very best of the rest. Huw Price plugs in.
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|
 MTM 31 |
MOTU Traveler
MOTU’s latest multi-channel interface is lightweight, buss-powered and features a staggering 20 inputs. George Shilling takes it on the road.
|
 MTM 31 |
Apogee Rosetta 200
This stereo converter not only boasts high-quality conversion hardware, it usefully offers a FireWire card option. George Shilling investigates the possibilities…
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 MTM 31 |
Tascam DV-RA1000
With a resolution of 24-bit, 192kHz and the provision of DSD recording, Mark Cousins finds out if Tascam’s DV-RA1000 puts the master back into master recorder...
|
 MTM 30 |
Focusrite Saffire
More than just a route in and out of your computer, Focusrite’s Saffire has plenty to offer. Mark Cousins checks out the next generation of FireWire interfacing.
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|
 MTM 30 |
Sontronics STC-2
Don’t confuse the STC-2 with the STC microphone built for the BBC by Standard Telephone and Cable – or the Brauner Valvet, for that matter. Huw Price tests the latest from Sontronics.
|
 MTM 30 |
Edirol MA-15D
Edirol’s MA-15D is an updated version of its MA-10A and MA-20D units. Is this your chance to pick up active digital monitors for next to nothing? Huw Price gets fired up.
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 MTM 30 |
Roland V-Synth XT
Roland’s ground-breaking V-Synth gets a radical makeover and some neat new tricks in the V-Synth XT. Hollin Jones finds out if good things really do come in small packages…
|
 MTM 30 |
Fulltone Tube Tape Echo
The Fulltone Tube Tape Echo marries vintage ideas with modern technology – but does it sound as good as the ‘reel’ thing? Huw Price gets delayed.
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 MTM 30 |
Genelec 8020A Active Monitors
The smooth edges and curves of the 8020As lend these active mini monitors a look that wouldn’t be out of place on the set of Kubrick’s Space Odyssey. Huw Price gens up.
|
 MTM 30 |
BLUE Red Type B
Blue’s roots lie in restoring vintage mics, but now the company produces its own models aimed at the higher end of the market. Huw Price checks out the latest offering.
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 MTM 30 |
Quested S8
Quested is a pedigree British company that has been building monitors for top recording studios since the early 70s. Huw Price checks the specs on the new S8 active monitors.
|
 MTM 29 |
Edirol FA-66
If you’re looking for a compact FireWire interface with high sample rates, this little red box packs a host of features into a very small space. George Shilling meets the FA-66.
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 MTM 29 |
Jimi Hendrix Experience
The most influential rock guitarist in the history of the genre gets an official, posthumous signature pedal, as DigiTech expands its Artist range. Mick Taylor stomps on the spirit of Jimi...
|
 MTM 29 |
Yamaha MG8/2FX
Yamaha’s smallest mixer to date packs a surprising number of features into its diminutive frame. George Shilling checks it out.
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 MTM 29 |
PVDJ Digital Audio Interface
The world of the DJ continues to evolve, as digital technology gains ground in vinyl’s long-held territory. James Summers takes the DAI for a spin.
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 MTM 29 |
Altavoz Singular
The Altavoz Singular contains left and right drivers in one box, but it promises a wide stereo image courtesy of Embracing Sound technology. Huw Price gets single-minded.
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 MTM 29 |
Phonic Helix Board 17
An increasing number of desks are featuring USB digital audio outputs as standard. Mark Cousins takes a look at Phonic’s spin on this theme – the Helix Board 17.
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 MTM 29 |
CME UF8
Every keyboard player deserves the feel of a real piano – even when they’re on the road. Does CME’s latest offering deliver the goods? Hollin Jones finds out.
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 MTM 29 |
Tannoy Reveal 6
Tannoy’s original Reveal monitors were a big success, and the Reveal 6 is the first redesign in ten years. Huw Price determines the merits of messing with a winning formula.
|
 MTM 28 |
AMS Neve 1073
The continued interest in vintage products has led to many manufacturers re-creating hardware designs of the past. Huw Price goes back in time...
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|
 MTM 28 |
Marshall Electronics MXL V6
Forget about waiting for your classic mic to warm up – MXL’s V6 promises the sound of valves in a completely solid-state package. Mark Cousins assesses the results…
|
 MTM 28 |
Allen & Heath Xone VF-1
As any audiophile will testify, the best filters use only an analogue signal path and a few basic knobs. Mark Cousins gets dark and dirty with the XONE VF-1.
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 MTM 28 |
SE Electronics Titan
SE mics has developed a style of its own, with retro bodies and innovative shockmount attachments, but has it found a voice of its own? Huw Price checks out SE’s new Titan.
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 MTM 28 |
Stanton FinalScratch 2
Working as a DJ used to mean carrying boxes of precious vinyl from gig to gig – as well as your decks, mixer and other gear. James Summers lightens the load.
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 MTM 28 |
Tapco SW-10
You’ve got no bass and you’ve got no space – so big speakers are out of the question. Does the diminutive SW-10 pack the necessary punch? Huw Price finds a rookie on the subs’ bench.
|
 MTM 28 |
Yamaha StagePas 300
For band rehearsals and small-venue gigs, powered mixers provide a lightweight, compact alternative to a full PA system. Ciarán Robinson goes on the road.
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 MTM 27 |
Sontronics Orpheus
Few microphones can claim to have been inspired by Greek mythology, but does Sontronics’ Orpheus deliver a sound fit for the gods? Mark Cousins puts it though its paces.
|
 MTM 27 |
DigiTech DF-7 Distortion Factory
The humble single-function stompbox is well and truly a thing of the past. Mick Taylor finds heaven in DigiTech’s DF-7.
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|
 MTM 27 |
Tascam DP-01FX
Updating Tascam’s classic Portastudio for the digital generation has brought some significant improvements. Mark Cousins takes an altogether easier approach to multitrack recording.
|
 MTM 27 |
Taylor Guitars K4 Equalizer
Taylor’s Expression System was a dramatic development for acoustic guitar amplification – and the new K4 preamp takes the concept further. Huw Price is Taylor made.
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 MTM 27 |
Phonic Powerpod 885 Plus
An all-in-one mixer and amplifier greatly reduces the number of cables and boxes you have to carry to every gig. Ciarán Robinson travels light with Phonic’s small-venue PA.
|
 MTM 27 |
Samson Rubicon R6A Active Ribbon Monitors
Surely ribbon tweeters are the preserve of audiophiles with golden ears, so why has Samson used them in sub-£400 studio monitors? Huw Price investigates...
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 MTM 27 |
AMS Neve 1073DPD
The looks may be classic Neve, but the 1073DPD combines two accurate re-creations of the Neve 1073 preamp with up-to-date digital output. Huw Price takes a byte...
|
 MTM 27 |
Violet Amethyst Vintage
A new range of mics has emerged in Latvia. Has Huw Price found a gem?
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 MTM 27 |
Millenium Music CX05 Musician’s Laptop
The ability to make and record music while on the move is increasingly important to today’s musicians. Hollin Jones road-tests Millennium Music’s latest laptop.
|
 MTM 27 |
Tannoy Reveal 8D Active
Tannoy is revamping its popular range of Reveal studio monitors, improving the cabinets and adding new drive units. Will they become studio favourites? Huw Price reveals all.
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 MTM 27 |
M-Audio Black Box
Marrying a guitar and computer is a frighteningly technical prospect for many guitarists, but M-Audio aims to make it easy. Mick Taylor delves inside the Black Box.
|
 MTM 26 |
Soundcraft Gigrac 1000st
If you’re gigging regularly, you’re going to need your own PA – and portability is always a key consideration. Huw Price goes on the road with Soundcraft’s latest offering.
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|
 MTM 26 |
Nady RSM-2
The only components you’ll find in a ribbon microphone – apart from the ribbon – are a magnet and a transformer. However, they’re rarely cheap to buy. Huw Price finds the right price...
|
 MTM 26 |
dbx 162SL
Those dynamic dudes at dbx have been busy cramming all their classic compression technology into a new stereo box. Huw Price feels the squeeze...
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 MTM 26 |
DigiTech Eric Clapton Crossroads
Seven tones from the world’s most famous living guitarist, all in one pedal? Mick Taylor takes a new direction...
|
 MTM 26 |
Terratec Phase 88 Rack FW
PCI cards seem a distant memory thanks to the growing number of FireWire-equipped peripherals, but this offering comes in both flavours. Alistair Lindsay gets fired up.
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 MTM 26 |
Rode S1
Røde finally brings its experience in creating studio microphones to the stage. Mark Cousins finds out if the S1 is a true all-round performer.
|
 MTM 26 |
Boss GT-8 Effects Processor
Topping the Boss multi-effects line is the all-new GT-8. Mick Taylor marvels as the feature/price ratio becomes ever more impressive.
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 MTM 26 |
Future Retro Revolution
If you want fat, acid sounds you might want to check out this unusual-looking synth from US manufacturer Future Retro. Hollin Jones joins the Revolution...
|
 MTM 23 |
SE Electronics Z3300a
We thought the SE 2200a was good, but recording with a fixed cardioid mic is like listening to music through one ear. The Z3300a could open your mind to omnidirectional and figure-of-8 recording. Huw Price switches over.
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|
 MTM 26 |
Apple iMac G5
Apple’s iMac gets a G5 processor and a slick new look. Hollin Jones doesn’t want to give it back…
|
 MTM 26 |
Creative Sound Blaster Audigy2 ZS
Musicians, gamers and movie fans alike should find plenty of appeal in this laptop soundcard from Creative. Alistair Lindsay makes music with the Sound Blaster Audigy2.
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|
 MTM 25 |
Focusrite TrakMaster Pro & OctoPre LE
For many, the Focusrite Platinum range has provided that first step towards professional sound quality. Huw Price checks out the latest offerings...
|
 MTM 25 |
Apple Mac Mini
At just over £300 and weighing a mere 1.4kg, Apple introduces the smallest, most affordable Mac ever. Mark Cousins test-drives the Mac Mini.
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|
 MTM 25 |
Universal Audio LA-610
Universal Audio previously re-issued the legendary 610 preamp and LA-2A compressor, but they’re not exactly cheap. The new LA-610 combines both units in a single case at a surprisingly affordable price. Huw Price samples a slice of American pie.
|
 MTM 25 |
SPL MTC 2381
Imagine being able to control your monitoring levels with a precision volume knob, or check mono compatibility at the touch of a button... Huw Price isn’t dreaming.
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|
 MTM 25 |
Korg TP-2
The downside to having one tasty mic preamp is that you’ll soon want another for stereo. Has Huw Price found a solution in Korg’s two-channel TP-2?
|
 MTM 25 |
Apogee Big Ben
Having made some of the finest converters money can buy, Apogee turns its attention to the task of digital clocking. Mark Cousins finds out what’s big about Ben...
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|
 MTM 25 |
Dave Smith Instruments Poly Evolver
The latest bit of gear from synth designer Dave Smith promises huge soundsand total control... Hollin Jones finds out why we all need to evolve.
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 MTM 25 |
Line 6 PODxt Live
Having 36 amplifiers and 24 speaker cabs in your studio would probably leave you short of space – not to mention money. Alistair Lindsay finds an alternative...
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 MTM 25 |
M-Audio Ozonic
There’s considerably more to M-Audio’s new all-purpose three-octave keyboard than initially meets the eye... Mike Hillier takes control.
|
 MTM 25 |
Alienware Area-51m 7700
Alienware knows how to make an eye-catching PC, but does the company know how to make the ultimate audio laptop? Alistair Lindsay dons dark glasses and beams aboard...
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 MTM 25 |
Roland RD-700SX
Roland’s flagship stage piano derives its compelling sounds from
multi-sampled concert grands. Hollin Jones gets in on the action.
|
 MTM 24 |
PreSonus Central Station
The Central Station brings the master section of a hardware studio console into the computer-based recording studio. Mark Cousins monitors the situation...
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 MTM 24 |
Roland MV-8000
An all-in-one production solution that doesn’t need a mouse, keyboard and virus protection? Bob Dormon checks out the Roland MV-8000.
|
 MTM 24 |
Shure PGX Wireless System
While many of us miss the comedy potential of microphone cables, in
this era of glorified karaoke, wireless microphones are invaluable.
Huw Price checks out Shure’s new PGX Wireless System.
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|
 MTM 24 |
Peavey PV 8
Peavey’s new PV 8 mixer may be as cheap as chips, but it’s packed with features that its price tag belies. Bob Dormon feasts on its functions.
|
 MTM 24 |
Dynaudio Acoustics BM5A Active Monitors
If space is tight, a pair of compact active monitors is a good
solution. Huw Price tucks into two slices of Danish.
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|
 MTM 23 |
Focusrite Liquid Channel
Focusrite’s groundbreaking liquid convolution technology is redefining
the fundamental principles of signal processing. Mark Cousins finds out whether the Liquid Channel is a master of all trades.
|
 MTM 23 |
Phonic Corporation RoadGear 160
RoadGear looks like the perfect all-in-one sound system for musicians playing small venues – but how does it actually sound? Keith Gemmell hits the road.
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 MTM 23 |
RME Fireface 800
With up to 56 channels and true FireWire 800 operation, is the RME Fireface 800 the most powerful FireWire interface yet? Mark Cousins strikes the match…
|
 MTM 23 |
DigiTech The Weapon
DigiTech has crammed seven of Disturbed axeman Dan Donegan’s signature sounds into one unassuming stompbox. Huw Price puts the pedal to the metal.
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 MTM 23 |
Tapco S8
Mackie gear has a reputation for representing excellent value for money and the Tapco S8s are no exception, as Huw Price discovers.
|
 MTM 23 |
Novation X-Station 25
Novation’s latest offering is an all-in-one audio/MIDI interface and hardware synth. Hollin Jones finds out if the X-Station is too good to be true…
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|
 MTM 23 |
Phonic MU1822X
There probably hasn’t been a better time to buy a budget mixer, but does Phonic’s MU1822X make it harder or easier to choose something suitable? Bob Dormon finds out.
|
 MTM 22 |
Roland TD-20K V-drums
The flagship version of Roland’s innovative V-Drums range comes with more options than Joe Silva can shake a stick at…
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|
 MTM 22 |
M-Audio O2
Slim and elegant, M-Audio’s new O2 looks great. Mike Hillier finds out if it’s as easy to use as it is on the eye.
|
 MTM 22 |
Mackie UK XD2 Spike
The sheer number of audio interfaces on the market means Mackie’s latest device faces tough competition. Alistair Lindsay puts Spike through its paces.
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|
 MTM 22 |
ART TCS Twin Compressor System
Engineers habitually compress vocals, drums, guitars and even whole mixes. While digital effects have conveniently named settings, getting familiar with the arcane controls of a compressor can be daunting, but the TCS compressor’s presets make things
|
 MTM 22 |
Samson CL7 Condenser
Specialist mics are expensive, while all-purpose mics often compromise quality. With its neutral sound, attenuation pad and high-pass filter, can Samson’s CL7 do it all? Huw Price switches over.
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|
 MTM 22 |
Mackie Control C4
Mackie’s latest control surface – the Control C4 – includes an impressive 32 V-Pots and four LCD scribble strips. Mark Cousins looks beneath the surface.
|
 MTM 22 |
DigiTech GNX4
The GNX4 combines digital amp, cabinet and stompbox models with an 8-track mp3 recorder, mic input and drum machine. Is there anything this box of tricks can’t do? Huw Price cranks it up...
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|
 MTM 22 |
Clavia Nord Modular G2X
The mighty Nord Modular G2 gets a bigger brother, with more keys
and more power. Hollin Jones finds out if it has the X factor…
|
 MTM 22 |
Beyerdynamic Opus Drumset XXL
A set of drum microphones from Beyerdynamic that takes the strain out of rigging a kit. Pete Crisp sets ‘em up.
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|
 MTM 22 |
TC Electronic Powercore Compact
Need DSP power on the road? TC’s new PowerCore Compact could be the answer. Mike Hillier takes it out for a test drive.
|
 MTM 22 |
SE Electronics Icis
Why pay for extra pickup patterns when most of the time you need only cardioid? Closely related to the SE5600a, the Icis has a redesigned body and fixed cardioid capsule. Huw Price spots the difference.
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|
 MTM 21 |
Yamaha i88x
Yamaha’s mLAN protocol is finally finding its feet, and the company’s i88x audio interface makes full use of it. Mike Hillier gets his studio gear talking...
|
 MTM 21 |
Rode NT2-A
Røde claims ‘the legend continues’ with its new NT2-A microphone,
but is it a hit or a myth? Bob Dormon takes it on the road.
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|
 MTM 21 |
Muse Research Receptor
Using VST plug-ins live on stage used to mean carrying laptops around – until now. Hollin Jones opens his mind to Receptor…
|
 MTM 21 |
Beyerdynamic Opus 29 S
Beyerdynamic introduced the world’s first studio-quality moving-coil
microphone – the M19 – in 1939, so they should know a thing or two
about dynamic mics by now... Huw Price checks out the Opus 29 S.
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|
 MTM 21 |
SE Electronics Z5600A
Affordable multi-pattern valve condenser microphones are a rare sight. So, when SE Electronics recently updated its Z5600, we grabbed the new A model as fast as we could. Huw Price warms to the theme.
|
 MTM 20 |
Real Traps Mini Trap and Micro Trap
Real Traps’ new acoustic-treatment systems have top producers like Nile Rogers very excited indeed... Huw Price discovers why.
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|
 MTM 20 |
Presonus Firepod
Firepod is a 10-in/10-out FireWire audio interface with eight high-quality mic preamps and MIDI I/O. Mike Hillier steps into the fire.
|
 MTM 20 |
Bellari RP583 Compressor
As autumn gets under way and winter approaches, we may be looking for new ways to keep warm. Alistair Lindsay turns up the heat with the Bellari RP583 Studio Dual Tube compressor.
|
|
 MTM 20 |
Inta Audio AMD 64 Workstation
64-bit is the way of the future... Hollin Jones looks forward to the AMD 64 Audio PC Workstation.
|
 MTM 20 |
M-Audio Keystation Pro 88
M-Audio’s new controller keyboard aims to offer professional MIDI control at a budget price. Mike Hillier finds out if there’s a catch...
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|
 MTM 20 |
Tapco SQ2 Squeez
An entry-level compressor that boasts a few extra features – Hollin Jones puts the Squeez on Tapco’s latest offering...
|
 MTM 20 |
Red5 Audio RV6
If someone offered you a large-capsule condenser microphone for £45, you might think it was a joke. But Red5 is perfectly serious about its new RV6. Huw Price listens in.
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|
 MTM 20 |
Mackie SRM350
According to Mackie, the world is full of ‘honky’ PA systems. There’s no doubt about that, but will its new SRM350 active speakers give you studio-quality sound reinforcement? Huw Price takes it to the Macks.
|
 MTM 20 |
Mackie Big Knob
The Big Knob provides some of the much-needed pro console recording features previously missing in desktop studio systems. Keith Gemmell takes command.
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|
 MTM 19 |
Tascam 2488 Digital Portastudio
25 years after inventing the world’s first 4-track Portastudio, Tascam has announced the 24-track equivalent. But, asks Keith Gemmell, is there really cause for celebration?
|
 MTM 19 |
Digidesign Command 8
A knob in the hand is worth two on the screen – or so manufacturers of hardware controllers sometimes claim. With fingers on faders, Bob Dormon gives orders to Digidesign’s Command|8.
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|
 MTM 19 |
BBE Sound Inc DI-1000, 362NR & 882i
BBE’s Sonic Maximizers strive to stamp out the high-frequency delay that can cause subtle phase shifting on some studio monitors. Huw Price stands corrected.
|
 MTM 19 |
TC-Helicon VoiceLive
VoiceLive will provide you with onstage backing singers and top-quality effects at the tap of a footswitch – but is Keith Gemmell singing its praises?
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|
 MTM 19 |
Athena Systems Vampire Rack
The Vampire Rack is a dedicated 2U rackmounted audio PC with no fewer than six bays for additional drives. Hollin Jones finds out how high the stakes are...
|
 MTM 19 |
Genelec 8030A
Genelec’s new 8000 series promises stunning performance. Paul Pettengale gives his hard-edged opinion.
|
|
 MTM 19 |
Behringer V-Verb Pro REV2496
Behringer has built up a reputation for providing value for money, so does the new REV2496 follow in this tradition? Keith Gemmell is all ears.
|
 MTM 19 |
Audix OM2 & OM3
Can any mic ever eclipse Shure’s SM58 and SM57? Audix mics are catching on fast in the US and have just crossed the Pond. Huw Price gets dynamic.
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|
 MTM 19 |
Mackie Onyx 1620
This analogue console can be fitted with a digital implant, but will it appeal to digital diehards? Bob Dormon plugs and plays.
|
 MTM 19 |
Blue Sky MediaDesk
Blue Sky thinks small with its new MediaDesk 2.1. Paul Pettengale finds out if it punches above its weight.
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|
 MTM 18 |
Native Instruments Guitar Rig
Native Instruments’ first guitar effects software is here. Hollin Jones feels the full effects of Guitar Rig….
|
 MTM 18 |
M-Audio FireWire 1814
Owners of small project studios have yet another recording interface to consider – the FireWire 1814, from M-Audio. Keith Gemmell makes tracks...
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|
 MTM 18 |
Coles Electroacoustics 4040
Coles Electroacoustics, manufacturers of the classic 4038, has released its first new mic since 1969. Huw Price cuts the ribbon on the Coles 4040.
|
 MTM 18 |
Behringer Truth B2030A
Small, compact and sporting a sleek, distinctly Teutonic look, these new monitors from Behringer certainly look the part – but how do they sound? Paul Pettengale gets to the Truth.
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|
 MTM 18 |
Yamaha Magicstomp
For many guitarists, the valve is King and digital modelling is still a no-go area. Jon Griffin gets to grips with 1s and 0s...
|
 MTM 18 |
Apogee Rosetta 800
Apogee has produced some of the finest digital converters ever to grace the studio, but does its new Rosetta 800 maintain this tradition? Mark Cousins gets converted…
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|
 MTM 18 |
XXL XC20 & XC97 Condenser Microphones
With lots of affordable mics around at present, do these pencil and shotgun condensers from XXL deserve your attention? Keith Gemmell takes aim...
|
 MTM 18 |
Tannoy Sub 15 5.1
If you want to hear really deep bass, the bad news is that small nearfield monitors just can’t cut it – you need a subwoofer. Huw Price dives in at the deep end.
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|
 MTM 17 |
Edirol PCR-1 USB MIDI Keyboard Controller
Edirol’s new keyboard controller combines good looks and MIDI functionality with audio capability. Keith Gemmell tinkles its ivories...
|
 MTM 17 |
Shure SM86 Cardioid Condenser Mic
Shure’s microphone pedigree is the stuff of legend, so will its SM86 be a hit or a myth? Bob Dormon takes it in hand…
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|
 MTM 17 |
Roland Fantom-X8
Roland dispatches a new variant of its battleship class of audio workstations. Joe Silva discovers whether she’s seaworthy…
|
 MTM 17 |
Phonic Tube Processors
The valve continues its relentless march back into our equipment racks with three new processors from Phonic. Mark Jenkins warms to the idea…
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|
 MTM 17 |
Philip Rees CL56 Laptop Bundle (KC09)
Looking for a portable, off-the-shelf PC system that’ll make music from the moment you plug it in? Philip Rees may have the answer, as Bob Dormon finds out…
|
 MTM 17 |
SE Electronics SE-1A, SE-2A, SE-3
For natural-sounding recordings, small-capsule condensers are hard to beat. Huw Price checks out three new models from SE…
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|
 MTM 17 |
Korg Electribe EA-1 mkII
Korg revamps its analogue synth sequencer with up-to-the-minute sounds and styles. Hollin Jones goes in search of the Electribe…
|
 MTM 17 |
Kurzweil KSP8
Kurzweil has taken the basic architecture of its K2500 and K2600 synth effects and packed them into a box with twice the processing power and 5.1 surround. Huw Price is deeply effected…
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|
 MTM 17 |
Sennheiser HD 280 Silver/Pro Headphones
Looking for headphones that are comfortable, accurate and affordable? Nigel Lord shuts himself off from the rest of the world…
|
 MTM 16 |
Korg Triton Extreme 88
Korg’s Triton gets some new toys, including a real-life valve for warming up your sound. Hollin Jones takes it to the Extreme….
|
|
 MTM 16 |
E-mu Emulator X Studio
Looking for a one-stop shop to turn your PC into a desktop studio? E-mu’s Emulator X Studio could be just the job, as Bob Dormon discovers…
|
 MTM 16 |
Creamware SCOPE Professional
Creamware has streamlined its product line, placing SCOPE Professional at the top of its range. Hollin Jones gets to grips with the new platform…
|
|
 MTM 16 |
Soundcraft GigRac
According to Soundcraft you don’t have to be a professional sound engineer to set up and use GigRac. Keith Gemmell plugs in to find out...
|
 MTM 16 |
Yamaha MC7 Pickup Mic/ST-5 Studio and Effects Unit
With 32 digital effects, comprehensive practice aids and a clip-on mic, the ST-5/MC7 might just be the ultimate brass and woodwind accessory. Keith Gemmell hooks up his sax...
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|
 MTM 16 |
Everything But The Box Terra II speakers
If these cast-aluminium monitors were British they’d probably be dismissed as a gimmick or the product of a warped imagination, but since they’re Bulgarian, we’ll cut them some slack. Huw Price thinks outside the box…
|
 MTM 16 |
Applied Research & Technology TPS II
Celebrating 20 years in the business, ART must be doing something right, but does the TPS II valve preamp take the cake? Bob Dormon finds out...
|
|
 MTM 16 |
Hitec Audio Tube One
A no-frills tube microphone with a German pedigree? Huw Price fires up the new Tube One from Hitec Audio…
|
 MTM 15 |
Korg The Legacy Collection
Korg has resurrected its legendary MS-20, Polysix and Wavestation synthesisers as software instruments – but do they sound as good as the originals? Keith Gemmell listens closely...
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|
 MTM 15 |
M-Audio Octane
M-Audio extends its seemingly endless product line with Octane – a pro-level eight-channel preamp. Will it fuel Joe Silva’s imagination?
|
 MTM 15 |
Mission SM6A Active Monitors
Active monitors are becoming so popular it’s starting to have a real affect on amplifier sales. Will the new SM6As accelerate the process? Bob Dormon is on a Mission to find out…
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|
 MTM 15 |
DPA IMK4061 Microphone Kit
Miniature microphones have revolutionised the broadcast industry, but do they also have uses in studio and live applications? Nigel Lord finds room in his heart for DPA’s mini marvel…
|
 MTM 15 |
Soundcraft Compact 4
Soundcraft turns its hand to a smaller mixer aimed at project studio users. Hollin Jones gets close-up and personal with the Compact 4…
|
|
 MTM 15 |
SE Electronics Gemini
Are two valves are better than one? SE seems to think so. Huw Price puts the Gemini to the test...
|
 MTM 15 |
Phonic A6100 Enhancer, A6200 Supreme DI & A6600 Supracurev Stereo Graphic
Does hardware still rule? Mark Jenkins tests out a batch of processors designed to solve those audio problems that software just can’t reach…
|
|
 MTM 15 |
Novation SpeedIO Trackmaker
Novation goes portable with the SpeedIO Trackmaker – a complete audio/MIDI package and three-piece software bundle. Pete Crisp makes tracks...
|
 MTM 15 |
Boss BR-1600CD
Computers offer musicians a myriad of recording possibilities, but standalone recorders still have considerable appeal – as Bob Dormon discovers with the Boss BR-1600CD.
|
|
 MTM 15 |
SPL SMC 2380
As surround mixing pervades studios, accurate control of multiple speakers has become a necessity. To the rescue comes SPL with its SMC 2380 processor. Is it up to the task? Bob Dormon finds out…
|
 MTM 15 |
Shure E Series In-ear Earphones
Are the consumer versions of Shure’s professional in-ear monitors useful in a music production environment? Dan Goldstein lends an ear…
|
|
 MTM 14 |
Sony VAIO PCG-GRT916Z & Sonic Stage Mastering Studio
Sony’s high-end VAIO laptops now come bundled with audio-restoration software. Bob Dormon checks if they’re up to scratch...
|
 MTM 14 |
TL Audio Ivory 2 5000 Valve Microphone and Preamp
Valve microphones are getting cheaper and more commonplace, and now TL Audio has joined the fray with a mic and preamp bundle. Will Bob Dormon warm to it?
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 MTM 14 |
Echo Audio Indigo IO
Recording high-quality audio on your laptop need not mean carrying extra hardware. Hollin Jones cuts loose with Echo Audio’s latest PCI card…
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 MTM 14 |
Creative Labs Audigy 2 ZS Platinum Pro
Creative Labs’ new top-of-the-range soundcard is the company’s most advanced card yet. Ian Waugh sees if it’s a blast from the past or a fillip for the future...
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 MTM 14 |
Korg Electribe ESX-1
A funky-looking hardware sampler from Korg that opens the door to creative user interaction. Pete Crisp gets in step with the ESX-1...
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 MTM 14 |
M-Audio Firewire Audiophile
The Audiophile combines the performance of FireWire with the features of the world’s best-selling soundcard. Keith Gemmell finds out if the Audiophile legacy can survive...
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 MTM 14 |
Aphex Xciter & Punch Factory
Stomp-boxes that bring the legendary Aphex enhancement to the guitar fraternity and a compressor that packs a punch? Pete Crisp is deeply effected…
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 MTM 14 |
Evolution MK-461C USB Keyboard
The controller keyboard market is booming, but Evolution’s new products always demand a closer look. Mark Jenkins is your master and commander...
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 MTM 14 |
Wharfedale Diamond 8.2 Pro Active Monitors
Based on the successful Diamond range, Wharfedale’s new 8.2 Pro Actives might provide that one-box solution to your monitoring needs. Huw Price cops an earful…
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 MTM 13 |
Toft Audio Designs ATC-2 Dual-Channel compressor/EQ/Mic Pre
Even if you haven’t heard of Malcolm Toft, you will have heard music he recorded and equipment he designed. The Toft Audio ATC-2 promises the best of British, and Huw Price checks it out…
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 MTM 13 |
Korg PA1X Pro
Korg’s new flagship arranger keyboard is a heavyweight when it comes to playing and performing. Hollin Jones finds out if it can do the business…
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 MTM 13 |
TL Audio Ivory 2 Series 5060 Preset Valve Compressor
Having one of TLAudio’s valve signal processors glowing in the corner of our studio is certainly a tempting thought... Can Bob Dormon resist the new 5060 Preset Compressor?
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 MTM 13 |
Novation ReMOTE 25 Audio
An audio interface and MIDI controller from Novation that’ll keep all your eggs in one basket. Pete Crisp works up an appetite...
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 MTM 13 |
NuSystems Centrino Laptop
New company NuSystems creates computer set-ups specifically for making music. Ian Waugh picks up a laptop and hits the road...
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 MTM 13 |
Earthworks Sigma 6.2 Monitors
They cost the same as a decent second-hand car, but are they worth the money? Huw Price takes Earthworks’ Sigma 6.2 passive monitor speakers for a test drive…
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 MTM 13 |
Phonic i7600 SupraCurve
Looking for an audio problem-solver for studio and stage? Mark Jenkins takes on the Equaliser...
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 MTM 13 |
Elektron SFX-6 MonoMachine
It’s silver, it’s Swedish, and it’s designed like no other instrument you’ve ever seen. Mark Jenkins gets to grips with the latest synth from Elektron...
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 MTM 12 |
Yamaha 01X
Another digital mixing desk from Yamaha is no longer earth-shaking news – but the 01X is rather different. Bob Dormon finds out what the fuss is all about…
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 MTM 12 |
Tapco S5 Active Studio Monitors
Can this pair of inexpensive speakers really help the computer musician achieve studio monitoring standards? Dan Goldstein lends an ear…
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 MTM 12 |
M-Audio Solaris
Straight from M-Audio’s Chinese factory is the three-pattern Solaris microphone – the ‘grown up’ version of the successful Luna. Huw Price looks for any family resemblance…
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 MTM 12 |
Korg D32XD and D16XD
A pair of new workstations from Korg – but which one to choose? And does either offer a viable alternative to software recording? Pete Crisp enters the D zone…
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 MTM 12 |
Mutec Format Changer Advanced
Mutec’s Format Changer Advanced is a compact tool to aid the transfer of digital audio around your system. But do you need it? Pete Crisp investigates…
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 MTM 12 |
DAV Electronics DAV Electronics
It may sound like a posh Westminster address, but Broadhurst Gardens No.1 is a mic preamp developing a keen following among audio pros. Huw Price explains...
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 MTM 12 |
Lexicon Omega
The name Lexicon is synonymous with high-quality reverb, but the company produces a varied range of devices. Bob Dormon checks out the latest of them...
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 MTM 12 |
Akai MPC1000
Akai has released the latest model in a long line of sampling drum machines – but is it an adequate compositional tool? Mark Jenkins is set adrift on an MPC...
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 MTM 12 |
Edirol PCR-A30
Edirol’s latest MIDI controller keyboard combines everything the mobile musician needs in a single box. Hollin Jones discovers that small really can be beautiful...
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 MTM 11 |
Korg microKontrol
Musicians can still control their instruments in the traditional fashion. Paul Wiffen investigates Korg’s microKontrol solution…
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 MTM 11 |
Yamaha SPX2000
Yamaha’s SPX processors have always bucked the trend, but how will its latest offering fare in a world dominated by software effects? Mark Jenkins does it the hard way…
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 MTM 11 |
TFPro P5
Optical compressors have a charm of their own that TFPro is happy to exploit. With the P5 you get no fewer than five processors in a single box. Charm personified? Bob Dormon finds out…
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 MTM 11 |
M-Audio OmniStudio USB
M-Audio’s popular OmniStudio is born again, complete with USB connectivity – but is it really the complete mobile recording solution? Keith Gemmell goes routing about…
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 MTM 11 |
Peavey Kosmos Pro
The rack-mounted audio sweetener has been making its presence felt for years, but what does the latest technology offer? Brian Heywood explores the Kosmos…
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 MTM 11 |
Vox Valvetronix ToneLab
What better way to model classic guitar amps than to use a real valve? In his quest for authentic sounds, Pete Crisp checks out the new ToneLab from Vox…
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 MTM 11 |
Fostex PM2 Monitors
Owners of larger home studios now have an interesting new monitoring alternative. Dan Goldstein listens in…
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 MTM 10 |
Rode NT2000
Where mics are concerned, one size definitely doesn’t fit all – but have you considered one that offers variable polar response? Pete Crisp hits the Røde...
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 MTM 10 |
Mission SM6P Nearfield Monitors
Can a manufacturer known for hi-fi speakers produce a serious nearfield studio monitor? Dan Goldstein is on a Mission to find out…
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 MTM 10 |
Tapco 6306 Mixer
With its accessible price tag, there’s clearly more than a logo separating this new mixer from its competitors. Dan Goldstein hunts for compromises…
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 MTM 10 |
Edirol V-4 Vision Mixer
Want to combine images with your music but being put off by the lack of low-budget video hardware? Mark Jenkins gets visionary with the Edirol V-4…
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 MTM 10 |
Kurzweil PC1X Performance Controller
Always fancied a Kurzweil synth but couldn’t muster the readies? As David Etheridge discovers, the new PC1X may well be within your reach…
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 MTM 10 |
Edirol UA-1000 USB Audio Capture
Using USB 2.0 to shift data across multiple inputs and outputs simplifies audio interfacing no end. Pete Crisp feels the need for speed...
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 MTM 10 |
TL Audio Ivory 2 Series 5052 Stereo Valve Processor
The TLA 5052 combines preamp, compressor and EQ processing and uses valve stages to sex up the signal. Bob Dormon ponders the delights of thermionic emission…
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 MTM 09 |
Yamaha Motif ES7
Sequencing isn’t all about computers and sophisticated software – it can be done on a workstation synth. Bob Dormon checks out Yamaha’s Motif ES7.
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 MTM 09 |
RME HDSP 9632
Looking for a studio-quality audio interface for your PC or Mac? Dan Duffell may have just the card for you...
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 MTM 09 |
Korg KAOSS Pad Entrancer
Korg hits the unchartered waters of video effects with its latest KAOSS – but is the new Entrancer solely for video jocks? Mark Jenkins turns on and tunes in....
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 MTM 09 |
M-Audio FireWire 410
M-Audio moves into the realm of FireWire with an eye towards supreme portability and ease of use. Joe Silva lights one up…
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 MTM 09 |
TC Electronic PowerCore FireWire
Are plug-ins putting the pinch on your processor? Need to lighten the load on your laptop? Dan Duffell considers TC’s new FireWire solution.
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 MTM 09 |
Roland RS-70 Synthesizer
‘Forget about MIDI and get on with playing’ is the concept behind the RS-70 – but does it take the mystery out of multi-track recording? Keith Gemmell goes loopy…
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 MTM 09 |
Audio-Technica ATW-T3141 & ATW-3110D
Wireless mics offer freedom of movement and have recently dropped in price. Huw Price puts two of the latest systems from Audio-Technica to the test…
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 MTM 09 |
Line 6 Bass POD XT Pro
Line 6 has given its bass guitar and amp modeller a makeover. Pete Crisp looks beyond the aesthetics...
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 MTM 09 |
E-mu PX-7 Command System
E-mu’s new PX-7 sets out to make you commander of your own drum station. Mark Jenkins gives it a beating…
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 MTM 09 |
Focusrite TwinTrak Pro
It’s a Class A preamp, a mid-scoop EQ, a compressor, a DAC, and it’s got the name Focusrite on the front... But is that enough to impress Dan Duffell?
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 MTM 09 |
SPL GainStation 1
High-end microphone preamps came in two flavours: valve and solid-state. SPL’s new GainStation gives you the best of both worlds. Huw Price listens in…
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 MTM 08 |
Roland Fantom-S Synthesizer
Roland has released a new version of its Fantom synth/workstation, but is it the machine to put the company back on top? Mark Jenkins looks for spirits in the material world…
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 MTM 08 |
Mark Of The Unicorn 828mkII Audio Interface
The MOTU 828 FireWire audio interface was a perfectly respectable piece of kit but, as Bob Dormon discovers, the new 828mkII goes further – much, much further…
|
 MTM 08 |
M-Audio Luna Microphone
Many of today’s mics are based on classic designs from the past, but M-Audio’s Luna is refreshingly original. Huw Price finds out whether it sounds as good as it looks…
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 MTM 08 |
Digidesign Digi 002 Rack
Has Digidesign’s decision to bundle the new Digi 002 with Pro Tools LE been enough to see off the competition? Bob Dormon gets on the Rack…
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 MTM 08 |
Behringer Ultra-Curve Pro DEQ2496
The new Ultra-Curve Pro boasts an on-paper spec to match any professional mastering processor. Dan Duffell tries to spot the differences…
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 MTM 08 |
Contour Design ShuttlePRO V.2
There’s a huge range of controllers out there to choose from, but could the ShuttlePRO be all you need? Brian Heywood gets a handle on it…
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 MTM 08 |
Edirol M-100FX Mixer/Audio Interface
The M-100FX is a USB audio interface and compact mixer hybrid targeted at video studio applications. Dan Duffell explores its potential.
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 MTM 08 |
Roger Linn Design AdrenaLinn II
The original AdrenaLinn’s pairing of guitar FX and drum machine confounded some but delighted many. Will the updated version get Brian Heywood’s pulse racing?
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 MTM 08 |
M-Audio Studiophile LX4 2.1 Monitors and LX4 3.0 Upgrade Pack
Want to try your hand at 5.1 surround mixing but can’t justify spending thousands on a monitoring system? Dan Goldstein assesses a unique solution from M-Audio.
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 MTM 08 |
Korg Electribe MX-1 Music Production Station
The first of the long-awaited additions to the Electribe range is here. But is the MX-1 Production Station a worthy flag bearer? Pete Crisp gathers the ’Tribe…
|
 MTM 07 |
Clavia Nord Lead 2X
Like a good song, the Nord Lead has endured the test of time and continues to charm the pants off all who get to know it. Dan Duffell falls in love all over again...
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 MTM 07 |
Apogee Mini-Me
In the studio or on the road, the Mini-Me takes it all in
its stride. Pete Crisp gets converted...
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 MTM 07 |
Dave Smith Instruments Evolver
Dave Smith Instruments is a new name – but it has an impressive
pedigree. Mark Jenkins investigates its first product, the Evolver…
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 MTM 07 |
Mark Of The Unicorn Micro Lite and MIDI Express 128
MIDI interfacing via USB is the norm these days, but do MOTU’s new host-powered models plug into the needs of musicians? Bob Dormon finds out.
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 MTM 07 |
Novation ReMOTE 25
Taking command of your soft synths demands a powerful controller –
Mark Jenkins investigates whether Novation deserves an ovation...
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 MTM 07 |
Edirol UR80 USB Recording System
The UR80 combines a two-channel recording interface with a MIDI control surface in a desktop box that connects to your PC. Dan Duffell gets the feel of his software...
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 MTM 07 |
Yamaha MG16/6FX Mixer
Yamaha’s MG series of analogue mixers look just the job – but are they? Bob Dormon takes the compact MG16/6FX for a spin...
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 MTM 06 |
Creamware Noah EX Tactive Instrument Modeller 1.3
Promising digital re-creations of some of the most desirable instruments of the past few decades, Pete Crisp takes a look at one of the most eagerly awaited products of the year.
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 MTM 06 |
Edirol PCR-30
This controller is packed with buttons, sliders and knobs, but is it the perfect partner for your MIDI/USB gear? Nigel Lord is left to his own devices...
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 MTM 06 |
ST Audio DSP3000 M-Port
ST Audio’s M-Port looks like it could be all things to all men as far as interfacing is concerned. Bob Dormon gets connected and looks for the catch.
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 MTM 06 |
Event TR5 & TR8 Nearfield Monitors
Event is one of the most established names in monitoring and this series look set to build on its good name. Dan Duffell takes the TR5 and TR8 for a test drive...
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 MTM 06 |
BLUE The Ball
Baltic Latvian Universal Electronics – BLUE, to the rest of us – has released its first cardioid dynamic microphone. Huw Price is invited to The Ball...
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 MTM 06 |
Samson Technologies MDR8 Mixer
Small mixers come and go, but the MDR8 has a couple of tricks up its sleeve... Pete Crisp fades us in.
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 MTM 06 |
Audiotrak Maya 7.1 PCI Audiocard
The Maya 7.1 audiocard offers enough outputs to feed a full 7.1 speaker system for little more than fifty quid. Dan Duffell feels surrounded...
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 MTM 06 |
Mackie Mackie Control
It’s called the Mackie Control and, as Brian Heywood discovers, it does exactly what it says on the box...
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 MTM 05 |
M-Audio Ozone
There are plenty of MIDI controller keyboards and USB audio interfaces out there, but Ozone combines both in a compact, portable package. Brian Heywood looks for the holes…
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 MTM 05 |
Ultrasone HFI-650 LE Headphones
A pair of cans that send music around your head rather than into it?
Max Green tests out an unlikely proposition.
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 MTM 05 |
Samson C-Class Processors
Samson’s new C-Class processors stack up the possibilities for desktop recording. Pete Crisp scales new heights…
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 MTM 05 |
Bob Moog Voyager Analogue Synth
Synth pioneer Bob Moog has updated his classic Minimoog analogue monosynth for the 21st century. Simon Trask finds out if Voyager has what it takes to go the distance...
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 MTM 05 |
Aviom A-16 Monitor Mixing System
Monitor mixing gets personal with this network-based system from Aviom. Pete Crisp takes his cue...
|
 MTM 05 |
Yamaha 01V96
Yamaha’s 01V mixing desk gets an update and a mind-boggling bundle of new features. Bob Dormon prepares to lift the lid...
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 MTM 05 |
SE Electronics Z5600 Condenser Mic
Superb detail, warmth and a variable polar response – and all from a mic that sells for under £400. Daniel Duffell can’t believe his luck...
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 MTM 04 |
Samson Resolv65a Monitors
Samson may not be a big name in quality nearfield monitoring, but its new range demands serious consideration. Danial Duffell shows some Resolv...
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 MTM 04 |
TC-Helicon Quintet
If you’re tired of working with dodgy backing singers you’re gonna love this offering from TC-Helicon. Bob Dormon unbuttons his shirt…
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 MTM 04 |
Roland VR-760 Keyboard
Simon Trask finds out whether Roland’s performer-friendly VR-760 keyboard adds up to more than the sum of its parts...
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 MTM 04 |
Ego Systems Waveterminal 192L
Considering a move up to 24-bit/96kHz recording and looking for a highquality, low-cost digital audio card? Ian Waugh goes on an Ego trip...
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 MTM 04 |
Akai MPD16
Tired of tying up your fingers triggering samples on your keyboard? There is an easier way. As Nigel Lord discovers, it just takes a little padding…
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 MTM 04 |
Philip Rees Notebook System
Take to the road with this comprehensive mobile studio setup from MIDI merchants Philip Rees. Pete Crisp hitches a ride…
|
 MTM 04 |
Evolution MK-361C MIDI Keyboard
Evolution’s flagship MIDI controller keyboard aims to dock with your computer – but is it a luxury liner or a sailing dinghy? Simon Trask goes to see…
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 MTM 04 |
Superlux DRK-B5C2 Drum Mic Set
Looking for that real drum sound but working to a tight budget? Daniel Duffell reckons this new line of drum mics from Superlux might be the answer to your prayers…
|
 MTM 03 |
JL Cooper CS-32 MiniDesk
Crammed with over 150 dedicated faders and switches, Brian Heywood finds that JL Cooper’s baby mixing desk is quite a handful...
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 MTM 03 |
Yamaha MSP10 Studio Monitors
Yamaha has given its active nearfield monitors a facelift in a bid to capture a bigger slice of market-share pie. Max Green listens to the results.
|
 MTM 03 |
Peavey Kosmos
Peavey’s Kosmos processor aims to impress by adding earth-shaking bass and upper-end clarity and width to your sound – but does it have a place in the studio or is it purely a live sound effect? Simon Trask goes cosmic...
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 MTM 03 |
Metric Halo Mobile I/O ULN-2
Metric Halo adds a new four-in-six-out FireWire interface to its Mobile I/O family of professional portable interfaces. How does the ULN-2 measure up? Ben Gerrold plugs in and finds out...
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 MTM 03 |
Smart Sound Direct Hermit Cab
Proving that it sometimes pays to be thick skinned, the Hermit Cab offers a solution to the problems of decibel overkill. Pete Crisp enjoys the peace…
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 MTM 03 |
AKG K271 Studio Headphones
Spending a three-figure sum on a set of headphones might seem extravagant, but Max Green reckons it’s money well spent…
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 MTM 03 |
Phonic Micro Range
Six micro processors all in compact, one-third rack units? Daniel Duffell finds out if less really is more...
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 MTM 03 |
GEM ProMega2
GEM follows up its ProMega3 digital piano with a sleek new version sporting a lower price tag and a more contemporary appearance – but at the expense of some features. Simon Trask wonders if it’s the instrument to raise the company’s profile…
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 MTM 03 |
Shure KSM141 microphone
Bob Dormon gets to grips with the latest offering from legendary microphone manufacturers Shure.
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 MTM 03 |
Soundcraft Spirit E8
Designed to be at home with recording setups or on stage, the Spirit E series mixer is obviously trying to be all things to all men. But does it suit our man Bob Dormon?
|
 MTM 03 |
Yamaha MG16/4 Mixing Console
Looking for a small, general-purpose mixer for your home studio or band but strapped for cash? Daniel Duffell sets out to discover whether industry giant Yamaha still knows how to appeal to those setting up a studio on a tight budget…
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 MTM 02 |
Roland VariOS
Roland’s latest compositional tool is an interesting hydrid of hardware and software technology, but is it a marriage made in heaven or a complicated mongrel system? Brian Heywood investigates…
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 MTM 02 |
PreSonus FireStation
FireStation is a versatile hybrid line mixer and audio interface with high-quality mic preamps. It’s also the first product released in the UK that relies on Yamaha’s fabled FireWire-based mLAN system. Daniel Duffell gets to grips with the future…
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 MTM 02 |
Yamaha DTXpress II
Having lost their eighties New Romantic associations, electronic drums are back with a vengeance. Nigel Lord climbs onboard Yamaha’s latest kit…
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 MTM 02 |
Blue Sky ProDesk
With so many new small studio monitors to choose from, you may find your judgement becoming clouded, but Dave Foister looks straight ahead and sees nothing but Blue Sky…
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 MTM 02 |
Yamaha Motif-Rack
Proving that size isn't everything, Yamaha's new rackmount module offers more polyphony, more patches and more effects than its Motif keyboard counterparts, but are there also compromises? Simon Trask sizes it up…
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 MTM 02 |
Contour A/V Solutions Spaceshuttle
Working with a mouse and keyboard could be limiting your productivity, but what are the alternatives? Nigel Lord survives a journey on the Spaceshuttle…
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 MTM 02 |
Evolution U Control: UC-33
Evolution's UC-33 offers a great deal of hands-on control over lots of software. Ian Waugh gets tactile…
|
 MTM 02 |
E-mu Vintage Pro
E-mu's latest sound module takes its cue from the seemingly unquenchable desire for old keyboard sounds. Simon Trask samples a modern vintage…
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 MTM 02 |
Samson C01
The Samson C01 is one of the things that dreams are made of – not for its rugged good looks, sweetie, but its price. Bob Dormon sniffs around for a prize catch.
|
 MTM 02 |
Zoom MRS-1266
Zoom keep their MRS ball rolling with an upgraded version of an old favourite. Pete Crisp lifts the lid of this studio-in-a-box…
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|
 MTM 01 |
Waves MaxxBass 101
Waves’ MaxxBass plug-in has a legion of fans who swear by its ability to add low-end drive to music. Does the new hardware version pack a similar punch? Max Greenfinds out.
|
 MTM 01 |
Yamaha AW16G
Brian Heywood takes a look at Yamaha’s latest integrated hard disk recording system, which combines the power of a digital audio workstation with the convenience of a multi-tracker.
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 MTM 01 |
Roland V-Synth
With increased competition from the software sector, can Roland’s new flagship synth cut the sonic mustard? Simon Trask plays a awhile.
|
 MTM 01 |
Kenton Spin Doctor
Kenton Electronics’ latest MIDI controller is designed to free the functions buried inside your favourite music hardware or software. Brian Heywood takes it for a spin.
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 MTM 01 |
Eclipse TD 508PA
Desktop music making involves some serious money these days and consequently deserves some serious speakers. The Eclipse TD 508PA Monitor System includes an amp, but be careful – Bob Dormon discovers that after one listen you’re hooked…
|
 MTM 01 |
TC-Helicon VoiceWorks
If you want multi-part harmonies and pitch correction wrapped up in a dedicated voice channel could TC-Helicon’s latest processor be the answer to your prayers? Pete Crisp tunes in.
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