Reviews > Hardware

MTM 84	Millennium Music Falcon LX Pros recommend a dedicated laptop for music-making, but they can be hard to find. Hollin Jones tracks down the Falcon LX.	MTM 83	M-Audio Fast Track Fast Track looks set to open the door for even more musicians wanting to start recording. Mike Hillier makes tracks.
MTM 82	Focusrite Saffire 6 USB Focusrite’s Saffire interfaces have become more affordable thanks to a new USB version. Mark Cousins takes a look.	MTM 81	Steinberg C12 Steinberg’s new controller is affordably priced yet offers full Cubase AI5 compatibility. Hollin Jones investigates.
MTM 81	ART Voice Channel	MTM 80	Inta Audio I5 Having the latest processor technology is key for serious audio work, but how will Inta’s i5 perform? Hollin Jones finds out.
MTM 79	Peavey 16FX Even the baby of Peavey’s new FX Series mixers manages to cram in a considerable amount. Mike Hillier gets on the buss.	MTM 78	Korg microKORG XL Synths keep getting smaller, but can Korg’s microKORG XL punch above its weight? Hollin Jones finds out.
MTM 78	Neve 2254/R Limiter/compressor 40 years on from the original 2254, is Neve’s latest reissue the studio must-have it once was? Mark Cousins finds out.	MTM 76	SE Electronics RNR1 The developer of some of the most sought-after audio consoles has turned his magic touch to mics. Mike Hillier listens in.
MTM 76	Lexicon I•ONIX FW810S Lexicon’s I•ONIX FW810S seems to be more than just another FireWire audio interface. Mark Cousins gets connected.	MTM 76	Arsenal Audio MP-R20 & MP-R24 API has launched Arsenal Audio to reach the places traditional API products cannot. Huw Price meets the newcomers.
MTM 76	ART M-Two & M-Three The M-Two and M-Three combine new capsules with FET electronics and flexible features. Huw Price checks them out.	MTM 76	Novation SL MKII If you think hassle-free, hands-on plug-in control is just a pipe dream, this might be the answer. Hollin Jones takes two.
MTM 76	AKAI APC40 Live is a great performance tool – and the APC40 looks set to revolutionise the way you interact with it. Hollin Jones plugs in.	MTM 75	Sonuus G2M Using a guitar to control MIDI instruments could now be easier thanks to products such as the G2M. Mike Hillier investigates.
MTM 75	C-Thru Music AXiS-49 If you’re stuck for ideas, the AXiS-49’s revolutionary keypad might just help fire your creativity. Keith Gemmell taps in.	MTM 75	Focusrite Liquid Saffire 56 By merging the best of both its Liquid and Saffire product ranges, has Focusrite created the ultimate FireWire audio interface? Mark Cousins gets connected.
MTM 74	SE Electronics 2200T First there was the solid-state version, then a USB version – now it’s time for tubes. Huw Price feels a warming glow.	MTM 74	KRK Ergo Can KRK’s Ergo and its room-correction technology really solve problems created by poor acoustics in your studio? Mark Cousins finds a room for improvement.
MTM 74	Use Audio Plugiator Synths that work as well on stage as in the studio are gaining in popularity. Hollin Jones checks out Use Audio’s Plugiator.	MTM 73	Harper Diabate HDV-1 The HDV-1 is a multi-pattern valve condenser designed for general recording applications. Huw Price powers up.
MTM 73	Scan SA-i7 PowerDAW+ Scan has upped the ante by kitting out its flagship PC with Intel’s latest processors. Hollin Jones powers up.	MTM 73	MOTU BPM Producers are always looking for great beats and MOTU reckons that BPM can deliver. Hollin Jones gets groovy.
MTM 73	Sontronics Sonora In the tough world of mic pres, newcomers need something special to stand out. Huw Price tries out another contender.	MTM 73	Kurzweil PC3X Kurzweil’s keyboards have earned the company an enviable reputation, so how will the company’s new flagship PC3X shape up? Hollin Jones tinkles the ivories.
MTM 73	Native Instruments Maschine Native Instruments is hoping to revolutionise the way we make beats with computers, but does its latest offering cut the mustard? Hollin Jones is in the driving seat.	MTM 72	PreSonus AudioBox USB Need portable preamps for stereo recording while listening to a monitor mix with zero latency? Huw Price plugs and plays.
MTM 72	AKG C214 The only thing better than having one great microphone is having a matched pair. Huw Price is seeing double.	MTM 72	Lexicon PCM92 Will Lexicon’s PCM96 be the contemporary hardware reverb of choice for the DAW generation? Mark Cousins finds out.
MTM 72	Nord Nord Electro 3 The Nord Electro series is a firm favourite with serious players, so how will the Electro 3 measure up? Hollin Jones finds out.	MTM 71	Behringer Vintage Time Machine Behringer takes a trip back through time to bring analogue effects bang up-to-date. Mike Hillier recalls the journey.
MTM 71	PreSonus DigiMax D8 The new PreSonus DigiMax D8 combines eight mic/line preamps with eight analogue and eight digital outputs. Huw Price takes it to the max.	MTM 71	AKAI EWI USB At last: an affordable wind controller with a USB port and customised sampled sounds. Keith Gemmell breathes easy.
MTM 71	Universal Audio Twin-Finity 710 Sometimes you need clean solid-state tones, at other times only valves will do. Huw Price finds an all-in-one solution.	MTM 71	Genelec 6010a Genelec’s 6010A and 5040A systems aim to provide the ‘first step into the world of professional audio’. Huw Price listens in.
MTM 71	Allen & Heath ZED R16 Allen & Heath has added the first new mixer to its ZED series in over a decade. It’s analogue, it’s digital and it’s a MIDI controller, too. Huw Price checks out the R16.	MTM 71	HHB CDR882 Can the new CDR882 prove that real-time audio recording still has a place outside a computer? Huw Price doubles up.
MTM 70	Audio-Technica AT4021 & AT 4022 Two new mics have been added to AT’s 40 Series, but can they keep up with the industry standards? Huw Price decides.	MTM 70	Behringer Eurodesk SX3242FX Behringer has made big steps in the live market, so is the new Eurodesk one giant leap? Mike Hillier rides the faders.
MTM 70	Adam Adam A5 Given the success of the Adam A7, the company’s new A5s have a lot to live up to. Huw Price sounds them out.	MTM 70	Focusrite Saffire Pro 40 Focusrite has brought its expertise to the project studio market with this latest release – the Saffire PRO 40. Hollin Jones gets the lowdown.
MTM 69	Rode M2 The new Røde M2 offers award-winning S1 technology, but at a more affordable price. Huw Price goes live.	MTM 69	Inta Audio X4R Making music is a demanding task for a PC, so it pays to get a serious one. Hollin Jones road tests Inta Audio’s new X4R Pro.
MTM 69	Arturia Origin The long wait is finally over, so will Arturia’s hotly anticipated Origin live up to expectations? Hollin Jones finds out.	MTM 68	Allen & Heath Xone:4D Allen & Heath has set about updating the company’s flagship mixer. Mike Hillier checks out what’s new in the Xone.
MTM 68	Steinberg MR816 CSX/CC121 If you want more hands-on control over recording and working in Cubase, Steinberg just might have the answer. Hollin Jones gets familiar with the MR816 and CC121.	MTM 68	Universal Audio UAD-2 Solo Universal Audio’s new UAD-2 cards offer a significant speed bump over the original UAD-1 DSP acceleration system. Mark Cousins enjoys the extra juice.
MTM 67	Moog Moogerfoogers You can rely on Moog to come up with something special – even when it comes to effects pedals. Hollin Jones plugs in.	MTM 67	Yamaha Stagepas 250M The newest member of Yamaha’s Stagepas family has finally fled the fold. Mike Hillier monitors its progress.
MTM 67	SE Electronics 4400a On paper, the 4400a has everything required of a go-to studio mic, but does it have the sound? Huw Price sizes it up.	MTM 67	ESI ESU1808 Can ESI’s latest audio interface make a splash in the project studio? Mike Hillier gets acquainted with the ESU1808.
MTM 67	Yamaha MM8 If you’re after a flexible entry-level keyboard with real-piano feel, this could be the answer. Hollin Jones unwraps the MM8.	MTM 66	Silent Peaks SPK Isolator
MTM 66	AKAI MPC5000 AKAI is the firm behind the legendary MPC series, but how will its new flagship MPC5000 fare? Hollin Jones digs in.	MTM 66	PreSonus Monitor Station Is this the ultimate desktop monitoring and communications system for your recording studio? Huw Price sizes it up.
MTM 66	Audio-Technica M3 Wireless In-Ear Monitoring System In-ear monitors can make life easier for everyone – and AT’s M3 hopes to set new standards. Mike Hillier plugs in.	MTM 66	Allen & Heath Xone:2D Digital DJs are increasingly wanting more hands-on control over their setup. Hollin Jones finds out if the Xone:2D delivers.
MTM 66	Moog Little Phatty Stage II Moog claims that its Little Phatty Stage II is the most accessible Moog synth to date, but can that actually be true? Hollin Jones puts the latest offering through its paces.	MTM 65	Edirol R-09HR Edirol has given its R-09 pocket recorder a high-resolution makeover. Mike Hillier spotlights the changes.
MTM 65	Novation Nocturn Novation’s unique Automap Universal system finds its way into another MIDI controller. Mike Hillier sees the light.	MTM 65	TC Electronic Nova Dynamics TC Electronic has taken the guts from its Nova System and re-released it in stompbox form. Mike Hillier steps on it.
MTM 65	Prism Sound Orpheus The Orpheus brings mastering-grade D/A and A/D conversion technology to the project studio. Mark Cousins sounds it out.	MTM 65	Genelec DSP SE Can Genelec’s new DSP SE monitoring system turn the real world into an ideal world? Huw Price finds out.
MTM 65	SE Electronics Z5600a II SE has given its Z5600a a makeover, fitting a -10dB pad, bass rolloff and much more besides. Huw Price tries it out.	MTM 65	Allen & Heath ZED-12FX Allen & Heath has brought effects to its ZED range of small-format mixers. Mike Hillier checks out the ZED-12FX.
MTM 65	Yamaha Motif-Rack XS Almost 12 months after the original Motif XS7 appeared, Yamaha has finally released the rack-based Motif-Rack XS. Mark Cousins finds out if it was worth the wait.	MTM 64	AKAI MPD32 Take two boxes into the studio? AKAI thinks not with its new MPD32 pad and control surface, as Hollin Jones discovers…
MTM 64	Solid State Logic Matrix Solid State Logic’s new Matrix demonstrates a bold new way of looking at the contemporary studio. Mark Cousins finds out if the Matrix is ‘the one’.	MTM 64	SE Electronics SE1000a The SE1000a has replaced the short-lived Mini as the company’s entry-level condenser. Huw Price tries it out.
MTM 64	Fatar Numa Fatar keyboards are well known for their excellent action, so how will the Numa stack up? Hollin Jones tickles the ivories.	MTM 64	Behringer Xenyx 2442FX The Xenyx 2442FX is Behringer’s new flagship mixer, suitable for both studio and live work. Mike Hillier rides the faders.
MTM 64	Focusrite ISA One A classic Rupert Neve-designed preamp in a portable package with a fully independent DI channel? Huw Price tries out the ISA One.	MTM 64	Edirol R-44 Edirol has augmented its portable recorder range with the new R-44. Mike Hillier takes it for a stroll.
MTM 64	Roland Fantom-G8 When Roland’s flagship workstations get a makeover, expectations are inevitably high. Hollin Jones finds out if the Fantom-G still does the business.	MTM 63	AKG Perception 170
MTM 63	CableJog Pro 8	MTM 63	Alesis SR-18 The Alesis SR-16 was a staple of music production for years, so how does the SR-18 compare? Hollin Jones is on the beat.
MTM 63	Yamaha KX25 We’d all like a little more hands-on control over our software, but can Yamaha’s KX25 deliver? Hollin Jones finds out.	MTM 63	AKAI XR20 If you want to make beats without using a computer, AKAI’s XR20 could be the solution. Hollin Jones takes a test drive.
MTM 63	Yamaha Pocketrak 2G The new Pocketrak from Yamaha looks set to bring portable recording to your pocket. Mike Hillier goes for a stroll.	MTM 63	Tascam DP-02 Hardware DAWs don’t have to be all about endless menus, sub-systems and fiddly navigation. Mike Hillier checks out the simple life with Tascam’s new DP-02.
MTM 63	Bricasti M7 With the new M7 reverb unit, Bricasti is attempting to prove that the best-sounding reverb still comes in hardware form. Mark Cousins makes some space.	MTM 63	ESI DuaFire ESI has launched a new entry-level interface complete with FireWire connectivity. Mike Hillier stays up to speed.
MTM 63	M-Audio ProFire 2626 M-Audio is well known for its audio interfaces, so how does the company’s new ProFire 2626 stack up against the competition? Hollin Jones plugs in.	MTM 63	Access Virus TI Snow Access’ Virus synth is legendary in electronic music, and now it’s more portable than ever. Hollin Jones goes on the road with the Virus TI Snow.
MTM 62	Kenton Merge-4	MTM 62	IK Multimedia StompIO It’s been a long and winding road for IK Multimedia’s StompIO, but the finished product is finally with us. Mike Hillier finds out if the wait was worth it.
MTM 62	AKG Perception 120, 220, 420 AKG’s Perception series has recently been expanded, with four new models joining the lineup. Huw Price tries out three of them...	MTM 62	TL Audio Ebony A1 TL Audio’s new Ebony series combines discrete Class A solid-state circuitry with bypassable and user-controllable valve stages. Huw Price tests the A1, A2 and A3.
MTM 62	Yamaha 01V96 VCM Now packing the company’s well-regarded VCM effects, Yamaha offers up the latest version of its 01V96 mixing desk. Mike Hillier gets behind the faders...	MTM 62	Acoustic Energy AE22 It’s fifteen years since Audio Energy introduced a new studio monitor, so how will the company’s AE22s fare? Huw Price listens in...
MTM 62	Tascam US-1641 Packing 16 inputs and four outputs, the US-1641 should provide all the connectivity you need. Mike Hillier takes it for a spin...	MTM 62	Euphonix MC Mix A new generation of control surfaces is emerging that take advantage of Euphonix’s EuCon connection protocol. Mark Cousins introduces the MC Mix...
MTM 61	Tascam DR-1 With plenty of portable recorders available, can Tascam’s DR-1 stand out from the crowd? Mike Hillier leaves the studio...	MTM 61	SSL Duende Mini The Duende Mini certainly lives up to its name, but there’s a surprising amount of power beneath its bonnet. Mark Cousins weighs up the latest addition to the Duende family...
MTM 61	CME UF80 A master keyboard with wireless MIDI capabilities and an attractive price tag? Hollin Jones checks out the UF80...	MTM 61	Eventide TimeFactor The TimeFactor sees Eventide’s studio expertise being ported to stompbox-format pedals. Mark Cousins takes his time...
MTM 61	Pioneer CDJ-400 DJ’ing is more popular than ever and the CDJ-400 looks to take digital disc spinning even further. Hollin Jones investigates...	MTM 61	TC Electronic PowerCore X8 With ever faster CPUs in studio computers, is there still a need for outboard DSP? Mike Hillier plugs in to find out...
MTM 61	IK Multimedia ARC IK’s ARC could help improve your mixes without you needing to upgrade your gear. Huw Price calibrates good times...	MTM 61	SPL Transducer Model 2601 Recording a guitar amp full-blast is not always feasible, but with the SPL Transducer you can. Huw Price turns it up...
MTM 60	M-Audio Studiophile Q40	MTM 60	Novation Nio 2/4 Good things do come in small packages, but can Novation’s new nio 2 \| 4 punch above its weight? Hollin Jones finds out...
MTM 60	Alesis MultiMix 16 USB 2.0 Alesis’ new compact mixer offers 18 direct inputs to your DAW. Could it be the perfect front end for your project studio? Mike Hillier delves into the mix...	MTM 60	Inta Audio X4S Multi-core systems are fast becoming the standard for audio PCs, so how will INTA Audio’s X4S system clock up? Hollin Jones finds out...
MTM 60	Superlux R102 The Superlux R102 is an active ribbon mic for under £100. Is it true to life or too good to be true? Huw Price investigates.	MTM 60	PreSonus FireStudio Project The FireStudio Project is the next generation of the popular FirePod, so does it sound better than its predecessor? Keith Gemmell fires it up...
MTM 60	TL Audio Fat Track At last: an affordable analogue tracking, summing and monitoring solution for DAW-based project studios. Keith Gemmell does his sums...	MTM 59	AKAI MPK49 AKAI’s MPK49 aims to be the ultimate performance controller while remaining equally adept on stage. Mike Hillier is in key...
MTM 59	Yamaha n12 Digital Mixing Studio Can Yamaha’s n12 range set the stage alight? Mike Hillier delves into the mix...	MTM 59	Universal Audio 2-LA-2 Universal Audio’s latest re-issue is a faithful re-creation of the revered LA2A. Huw Price finds out if it lives up to expectation.
MTM 59	Native Instruments Kore 2 With a revised control surface and 500 integral sounds, does Kore 2 live up to expectations? Mark Cousins takes a peek...	MTM 59	Blue Coconut Echo Verb Does the Echo Verb have the convenience and vintage sound to pull the plug on the plug-ins? Huw Price listens closely.
MTM 59	CME M-Key	MTM 59	ART Tube Fire 8 ART’s latest eight-channel tube preamp/digital interface couples impressive audio quality with sublime ease of use. Huw Price fires up the Tube 8...
MTM 59	TC Electronic Studio Konnekt 48 TC Electronic’s new baby is much more than just another run-of-the-mill audio interface. Hollin Jones finds out what’s so special about the Studio Konnekt 48...	MTM 58	CEntrance MicPort Pro
MTM 58	Digidesign Mbox2 Micro	MTM 58	Radial JPC
MTM 58	Apogee Symphony Mobile Laptop recording makes its biggest leap yet, thanks to Apogee’s Symphony Mobile. Mark Cousins takes the baton...	MTM 58	KRK Systems VXT8 Do KRK’s VXT monitors share the same design philosophies as the company’s flagship Exposé range? Huw Price finds out...
MTM 58	Kurzweil SP2X If you’re more of a performer than a programmer, Kurzweil may just have produced the stage piano you’ve been waiting for. Hollin Jones checks out the SP2X...	MTM 58	Phonic Helix Board 18 FireWire MKII Can a few small changes make a big difference to Phonic’s updated Helix Board? Mike Hillier investigates...
MTM 58	Zoome Handy Recorder H2 Zoom has augmented its portable recorder range with the pocket-sized H2. Mike Hillier hits the road...	MTM 57	Samson Audio G-Track Samson’s G-Track is the latest entrant in an ever-growing line-up of USB microphones. Huw Price plugs in...
MTM 57	Focusrite ISA828 Focusrite’s ISA828 boasts eight Rupert Neve-designed mic pres, but is it a worthy successor to the revered ISA428? Huw Price finds out...	MTM 57	PreSonus HP60 The PreSonus HP60 offers a professional monitoring solution at an affordable price. Keith Gemmell listens in...
MTM 57	Allen & Heath ZED 14 Entry-level mixers represent new territory for Allen & Heath, so can the ZED 14 cut the mustard? Mike Hillier sizes it up...	MTM 57	ESI nEAR 08 ESI’s nEAR range of active reference monitors just got bigger, with the new 08 packing 140 watts of onboard amplification. Huw Price lends an ear...
MTM 57	Roland SonicCell Packing plenty of features plus performance portability is Roland’s new SonicCell. Hollin Jones hits the road...	MTM 57	M-Audio EX66 M-Audio’s design team set some ambitious goals in designing the EX66. Huw Price listens in...
MTM 57	Telefunken ELA M 250F Vintage mics are often cited as being among the best – and this offering is vintage to the roots. Huw Price goes back in time...	MTM 57	Universal Audio UAD-Xpander Xpress The UAD-1 system has now made the transition to the laptop, but is the UAD-Xpander Xpress a realistic solution for mixing on the move? Mark Cousins goes mobile...
MTM 56	Thermionic Culture Earlybird 1.2 Thermionic Culture has given its Earlybird valve preamp a makeover. Huw Price sounds it out...	MTM 56	Yamaha Tenori-on Yamaha has a history of innovation, but has it outdone itself with Tenori-On? Hollin Jones finds out...
MTM 56	Universal Audio DCS Remote Preamp Universal Audio’s DCS Remote is a combination of preamps, talkback and monitoring tools. Huw Price listens in...	MTM 56	Yamaha MW12CX If your budget won’t extend to multi-I/O interfaces but you need some extra flexibility in your project studio, the MW12CX could be the answer. Mike Hillier gets in the mix...
MTM 56	Mackie Control Universal Pro Why be a slave to your mouse when the Mackie Control Universal Pro provides all the hands-on fader access you need? Mark Cousins takes control...	MTM 56	Apple MacBook Pro The adoption of Intel chips has given Apple’s high-end laptops the momentum music producers on the move have been dreaming of. Mark Cousins takes to the road...
MTM 55	Native Instruments Traktor Scratch Native Instruments has decided to go it alone in the DJ market, but can its Traktor Scratch rise above the competition? Mike Hillier cues up...	MTM 55	Novation ReMOTE 49SL Compact Novation’s innovative AutoMap feature comes to a new range of controllers. Mike Hillier goes remote...
MTM 55	Tascam FireOne Tascam and Frontier Design continue to bring hands-on control to the project studio. Mike Hillier is on fire...	MTM 55	Yamaha MG166CX USB Yamaha augments its MG range of mixers with a USB-equipped model. Mike Hillier is behind the desk...
MTM 55	Rode M3 Røde is offering its own alternative to USB- or preamp-powered microphones. Huw Price sizes up the new M3.	MTM 55	Sontronics Apollo Sontronics is aiming to build on the success of its Sigma with the active stereo Apollo. Huw Price lifts off...
MTM 54	tfpro P110 Ted Fletcher’s new company has developed a new recording channel based on classic designs. Huw Price tests the P110.	MTM 54	SE Electronics Instrument Reflexion Filter SE’s original Reflexion Filter was a huge success, but will its Instrument version equal it? Grant Bridgeman finds out.
MTM 54	Line 6 Pocket POD Line 6’s POD family has been augmented by a new, slimmed down member. Mike Hillier pockets the difference...	MTM 54	Korg M3 The Korg M1 had the distinction of being the world’s first workstation, so is the company’s new M3 likely to be equally distinguished? Hollin Jones finds out...
MTM 54	AMS-Neve 8801 The 8801 channel strip offers every serious musician the possibility of owning at least part of a Neve 88RS console. Mark Cousins channels his energies...	MTM 53	Edirol M-16DX Edirol has raised the bar with its digital M-16DX, but how does it square up to its analogue rivals? Keith Gemmell is in bits...
MTM 53	SE Electronics GM10 Fidgeting guitarists can be the bane of an engineer’s life, making recording sessions frustrating. Huw Price tightens the screw...	MTM 53	Solid State Logic Alpha VHD Pre SSL looks set to continue its foray into the project studio market with its latest release. Mark Cousins is all ears...
MTM 53	M-Audio Pulsar II M-Audio brought us something special with the Sputnik, so the Pulsar II has been keenly awaited. Huw Price dons a small cap.	MTM 53	Roland V-Synth GT FREE FULL REVIEW. Roland's V-Synth re-wrote the book on innovative sound creation, so can the company's new V-Synth GT live up to the family name? Hollin Jones finds out...
MTM 53	TerraTec AXON AX-50 USB Guitarists are enjoying ever more choice when it comes to MIDI control. Hollin Jones finds out what the AX-50 has to offer...	MTM 50	E-mu 0404 USB Portable interfaces are more popular now than ever, so how will E-mu’s new baby perform? Hollin Jones finds out...
MTM 52	Solid State Logic Mixpander Promising superlative audio interfacing and DSP power, is SSL’s Mixpander the ultimate in I/O? Mark Cousins gets connected.	MTM 52	CAD Trion 8000 CAD’s Trion 8000 is a brand-new multi-pattern valve condenser with a lollipop capsule. Huw Price has it licked...
MTM 52	M-Audio Torq Conectiv M-Audio takes on the big guns of digital DJ’ing with a hardware/software bundle that aims to provide you with all you need to hit the clubs. Mike Hillier cues up...	MTM 52	Audio-Technica AT4047SV AT’s proven capsule technology is combined with a FET preamp in the company’s AT4047SV. Huw Price plays the field.
MTM 52	Dynaudio BM 6A mkII Dynaudio has upgraded its popular BM 6A monitor to create the BM 6A mkII. Huw Price is all ears...	MTM 52	Zoom HD16 Zoom’s HD16 is a multi-track digital recorder that doubles as a DAW control surface. Keith Gemmell finds out if it’s on track...
MTM 45	KRK Systems V6 Can KRK’s trademark yellow-cone V6 monitors drive the competition into the background? Huw Price revs up...	MTM 52	Yamaha Motif XS7 Competition in the high end of the synth market is hotting up, so has Yamaha’s new flagship Motif XS got what it takes to make it to the top? Hollin Jones finds out...
MTM 51	Alesis i/o26 This feature-packed audio interface looks set to become a home studio favourite. Keith Gemmell examines the ins and outs...	MTM 51	Yamaha MM6 Entry-level workstations are becoming increasingly powerful, so does Yamaha’s new MM6 have enough features to make it a worthy contender? Hollin Jones finds out...
MTM 51	Digidesign 003 Factory Digidesign has finally released the much-anticipated successor to that studio stalwart the 002. Mark Cousins charts the changes...	MTM 51	Samson Audio VR88 Samson is getting serious about studio-quality mics and the VR88 is one of its hot new products. Huw Price is foiled again.
MTM 51	Mark Of The Unicorn 8pre Offering both audio interfacing and A/D conversion, is the 8pre a comprehensive studio solution? Keith Gemmell finds out...	MTM 51	Zoom H4 Zoom’s H4 combines portable recording with audio interfacing capabilities. Mike Hillier asks if it’s a match made in heaven.
MTM 51	Focusrite Saffire Pro 10 i/o The Saffire family continues to grow with the emergence of its newest member. Mike Hillier steps out with the PRO 10 i/o...	MTM 51	Frontier Design Group AlphaTrack With its motorised fader and tactile controls, does AlphaTrack beat mixing with a mouse? Keith Gemmell gets hands-on...
MTM 50	Yamaha EMX5016CF Yamaha’s latest live mixer packs a punch, offering 500 watts of power per channel. Mike Hillier gets into the mix...	MTM 50	Akai MPC500 We’d all like to be able to produce music on the move, but can it be done without a laptop? AKAI thinks so, as Hollin Jones finds out when he road tests the MPC500...
MTM 50	Quested S7 Bridging the price and frequency gap between Quested’s S6 and S8 monitors is the new S7. Huw Price joins the quest.	MTM 50	Phonic FireFly 302 Portable recorders are becoming increasingly capable and ever more affordable. Hollin Jones checks out another contender...
MTM 50	Rupert Neve Designs Portico 5016 Sporting an unusual and interesting Phase Adjust control, the 5016 simply demands closer inspection. Huw Price lines up.	MTM 50	Roland MV-8800 Despite the rise of software, hardware music production systems are here to stay. Keith Gemmell ditches his DAW...
MTM 50	M-Audio NRV10 Every recording musician needs a mixer as well as an interface, but can you have both in one box? Hollin Jones finds out...	MTM 50	Yamaha MSP7 Studio Designed by the father of the NS10, the MSP7 is the cutting edge of Yamaha’s active monitor range. Huw Price listens in...
MTM 50	Tascam 2488mkII Tascam invented the Portastudio concept, but does the company’s new 2488MkII keep that pioneering vision alive? Mark Cousins investigates its latest offering...	MTM 49	Apogee Ensemble FireWire audio interfacing finally gets a much-needed injection of audiophile quality. Mark Cousins witnesses the debut performance of Apogee’s Ensemble.
MTM 49	Tascam US-122L Looking to move into the field of computer-based recording? Mike Hillier takes his first steps with the US-122L...	MTM 49	PreSonus FireStudio Based on the popular Firepod, the new FireStudio audio interface boasts 26 ins and 26 outs as well as flexible control console routing. Keith Gemmell gets fired up...
MTM 49	BOSS Micro BR Another newcomer joins the ever-growing ranks of portable digital recorders. Mike Hillier hits the road with the Micro BR...	MTM 49	Yamaha Stagepas 500 Yamaha’s portable PA range is getting bigger and louder. Mike Hillier takes to the road with the Stagepas 500.
MTM 49	Digidesign Mbox 2 Mini The Pro Tools environment is growing rapidly, but this interface is Digidesign’s smallest to date. Mike Hillier downsizes....	MTM 49	Line 6 GearBox Plug-In Gold Bundle Line 6 unleashes its GearBox software as a plug-in, bringing its legendary modelling to DAW users. Mike Hillier sets the tone...
MTM 48	Line 6 TonePort KB37 Line 6 has united the TonePort audio interface with a 37-note keyboard and a MIDI controller. Mike Hillier assesses the KB37.	MTM 48	TL Audio M1 Tubetracker Forget small-footprint modern mixers – TL Audio’s M1 Tubetracker is a console that seriously states its presence. Mark Cousins feels a warm glow...
MTM 48	SE Electronics USB2200a A plug‘n’play quality microphone ready for use whenever inspiration strikes? Huw Price sizes up the USB2200a...	MTM 48	PreSonus FaderPort If you’re tired of recording and mixing using a mouse, FaderPort could be just what you need. Keith Gemmell sacks his rodent...
MTM 48	Neve 8803 Two channels of Neve-quality EQ can be enjoyed for significantly less money than you might expect. Mark Cousins checks out the latest addition to the 88 series – the 8803.	MTM 48	Edirol R-09 Can Edirol’s ultra-portable R-09 recorder capture the imagination wherever you are? Mike Hillier takes to the road...
MTM 48	Roland VP-550 Don’t have sufficient room to accommodate a gospel choir in your studio? Help is at hand, as Hollin Jones finds out when he stirs up the Roland VP-550...	MTM 48	M-Audio Sputnik Is M-Audio’s new Sputnik the ‘sonic bridge’ between a Neumann U47 and an AKG C12? Huw Price blasts off...
MTM 48	Rupert Neve Designs Portico 5033 The Neve sound is the stuff of legend – and its popularity shows no sign of waning. George Shilling processes the 5033.	MTM 47	Roland BR-600 Smaller than most notebook computers and packed with features, can an 8-track digital recorder this small really deliver the goods? Keith Gemmell finds out who’s BOSS...
MTM 47	Peavey PV 10 USB Peavey equips its PV range of analogue mixers with USB ports, enabling direct DAW connectivity. Mike Hillier mixes in...	MTM 47	AKAI MPD24 It’s got a rich heritage, but can AKAI’s new MIDI controller live up to expectations? Hollin Jones beats a path to the MPD24...
MTM 47	SE Electronics H1 SE has re-voiced the capsule of its SE1a for a new role in the company’s hand-held H1. Petra Jones finds out more...	MTM 47	Focusrite Saffire PRO 26 I/O Focusrite’s latest addition to its Saffire range boasts a wealth of ins and outs. Mark Cousins goes PRO...
MTM 47	Tascam US-144 USB 2.0-equipped entry-level interfaces are a rarity, but the US-144 bucks the trend. Mike Hillier goes high-speed...	MTM 47	TC Electronic Konnekt 24D Boasting built-in effects from the company’s PowerCore platform, TC’s new mid-priced audio interface looks like one heck of a bargain. Keith Gemmell plugs in to find out...
MTM 47	Solid State Logic Alpha Channel SSL is renowned for its pro-end hardware, but the company has recently turned its attention to the project studio market and is bringing that legendary sound quality within the scope of more modest budgets. Mark Cousins checks out the Alpha Channel..	MTM 46	Audio-Technica ATM710 The ATM710 is designed specifically for live vocal use, but what does it offer over the competition? Huw Price finds out...
MTM 46	M-Audio X-Session Pro The venerable X-Session DJ controller has undergone a much-anticipated makeover. Mike Hillier goes Pro...	MTM 46	Korg KAOSS Pad KP3 Korg’s popular KAOSS Pad has had a makeover and boasts a raft of new features. Hollin Jones checks out the KP3.
MTM 46	DPA SMK4061 DPA’s new SMK4061 stereo mic kit really can get to those places other mics just can’t reach. Huw Price gets stuck in.	MTM 46	Native Instruments Audio Kontrol 1 Native Instruments makes its much-anticipated move into the audio hardware world. Mike Hillier treads a new path...
MTM 46	Lexicon MX400 With surround capabilities and four processors, can the MX400 raise the bar in the reverb stakes? Mark Cousins gets effected.	MTM 46	TC Electronic G-Sharp Want studio-quality reverb and delay but can’t find a decent pedal? Enter the G-Sharp. Huw Price finds space in his rack.
MTM 46	Monome Monome 40h If a fully customisable multi-purpose controller is what you need, have a look at the 40h. JoE Silva gets his hands dirty...	MTM 46	Roland Juno-G Its heritage is undeniably second to none, but will Roland’s latest synth live up to the high standards set by its predecessors? Hollin Jones lifts off with the Juno-G...
MTM 45	Mackie Onyx Satellite Mackie’s new Onyx Satellite is equally at home in the studio as it is on the road. Mark Cousins has the best of both worlds...	MTM 45	Novation XioSynth x25 Novation’s latest synth promises a wealth of features in a truly portable package. Hollin Jones takes to the road with the XioSynth x25...
MTM 44	Adam A7 The ART ribbon tweeter remains, but the A7s get a brand-new woofer and 100 watts of power. Huw Price is in the firing line.	MTM 44	M-Audio MidAir 25 M-Audio’s new MIDI controller brings wireless technology to the popular Oxygen8. Mike Hillier breathes in the Air...
MTM 44	Rode NT55 Rode’s NT55 is a mic with a difference – you get both omni-directional and cardioid capsules. Huw Price finds his match...	MTM 44	ART TUBE MP ART has transformed its TUBE MP Project Series valve pre into an easy-to-use USB audio interface. Keith Gemmell warms up.
MTM 44	TC-Helicon VoiceDoubler TC-Helicon expands its range of vocal processors with the new rackmount VoiceDoubler. Mark Cousins sings out...	MTM 44	Crowley and Tripp Naked Eye With its roots in medical science, Crowley and Tripp has gone on to manufacture pro-quality ribbon mics. Huw Price bares all...
MTM 44	PreSonus DigiMax FS More than just an 8-channel mic preamp, PreSonus’ new DigiMax FS offers a whole new way of getting sound in and out of your DAW. Mark Cousins gets connected...	MTM 43	Novation ReMOTE ZeRO SL Retaining all the control capabilities of the original SL series, the ZeRO SL simply lacks keys. Mike Hillier maps it out...
MTM 43	Fostex NX-6A Once the doyen of portable recording, Fostex now produces speakers, mics and more. Huw Price checks out the NX-6As.	MTM 43	Event ALP 5 Now in the hands of mic makers Røde, Event looks set to make an impact outside its native US. Huw Price listens in...
MTM 43	Focusrite Liquid Mix With over 60 emulations of vintage compressors and equalizers, could Focusrite’s Liquid Mix revolutionise software mixing as we know it? Mark Cousins goes with the flow...	MTM 43	TC Electronic C300 Multi-band compression and expansion TC Electronic-style is now within everyone’s reach. Mark Cousins gets dynamic...
MTM 43	Soundcraft EPM6 Does this big-name small-format mixer maintain its maker’s enviable reputation for quality? Mark Cousins mixes in...	MTM 43	Ghost Acoustics Ghost Ghost Acoustics’ sound absorption panels bring a new level of flexibility to acoustic treatment. Grant Bridgeman listens in...
MTM 43	Yamaha CP300 Yamaha was a key player in the digital piano revolution, which changed the way pianists thought about playing live. Hollin Jones meets the company’s latest model – the CP300.	MTM 42	Mackie d.2 Mackie has jumped headfirst into the DJ arena with the d.2 two-channel mixer. Mike Hillier unleashes his decks.
MTM 42	SSL Duende Once the preserve of high-end professional studios, SSL finally brings its hit-making technology to the masses. Mark Cousins unlocks the wonders of Duende...	MTM 42	Shure KSM9 If you feel that your live vocal mic is letting you down, maybe it’s time to consider a change. Huw Price picks up the KSM9.
MTM 42	Fostex CR500 BWF Mastering Recorder A pro-quality mastering and playback machine at a project studio price? Keith Gemmell asks the burning questions...	MTM 42	Roland SH-201 Roland reinvents a modern classic and arms it with a host of new features, but can it live up to the company’s high reputation? Hollin Jones gets intimate with the SH-201...
MTM 42	Violet Gold Finger Violet continues to expand its product line with the mediumcapsule Gold Finger. Huw Price puts it through its paces.	MTM 42	Lexicon Lambda Lexicon continues to expand its ever-growing range of USB audio interfaces. Mark Cousins sizes up the latest offering...
MTM 42	Focusrite Saffire LE One of last year’s most exciting FireWire interfaces gets a sleek makeover for 2006. Mark Cousins fires it up...	MTM 42	TRUE Systems P-Solo Can TRUE Systems’ new P-Solo raise the company’s profile away from its native shores? George Shilling goes it alone.
MTM 41	Fostex MR-8HD Fostex’s MR-8HD offers many refinements to the original concept, including an integral hard drive and improved recording quality. Mark Cousins gets tracking...	MTM 41	Mark Of The Unicorn Ultralite MOTU keeps up the good work with another portable FireWire interface. Mike Hillier steps out with the UltraLite.
MTM 41	Violet Global Pre Assembling a collection of quality mics used to be a particularly expensive business... Huw Price plays mix and match.	MTM 41	Roland MC-808 Roland’s latest Groovebox is packed with earth-shaking electronic sounds and even boasts motorised faders. Hollin Jones puts the MC-808 through its paces...
MTM 41	Quested S6 Can Quested’s latest entry into the active monitor market build on the company’s success? Huw Price ploughs the nearfield.	MTM 41	Ted Fletcher Audio Gear P38 The reign of the much-acclaimed P8 ends with the release of the new P38. George Shilling watches the coronation.
MTM 41	Mackie SA1521z Mackie has teamed up with EAW to produce these precision tuned loudspeakers. Mike Hillier gets an ear-bashing...	MTM 41	Edirol UA-4FX The UA-4FX is equipped with the basic tools required for most recording tasks. Mike Hillier finds out if small is beautiful...
MTM 41	MindPrint Trio USB With all the essentials for recording, analogue sound-shaping and studio monitoring in one box, Keith Gemmell assesses whether the TRIO is the ideal desktop recording solution.	MTM 41	Korg Radias Good things do sometimes come in small packages, as Hollin Jones finds out when he test-drives Korg’s new baby, the deceptively compact Radias.
MTM 40	Phonic Helix Board 24 FireWire Analogue meets digital in Phonic’s latest small-format mixer. Mike Hillier unwinds with the Helix Board 24 FireWire.	MTM 40	Native Instruments Kore Will Native Instruments’ new universal sound platform change the way you work with software instruments and effects? Mike Hillier digs in to find out...
MTM 40	Akai MPC2500 They’re a favourite with hip hop artists the world over, but will the AKAI MPC2500 be able to live up to the reputation? Hollin Jones samples it for himself.	MTM 40	Rupert Neve Designs Portico 5043 Industry legend Rupert Neve introduces a compressor to the Portico series, furthering its appeal. George Shilling takes it to the limit.
MTM 40	Tannoy Precision 6D Tannoy’s active Precision series blends old and new technologies to superb effect. Huw Price listens in...	MTM 40	Sontronics Sigma Sontronics’ new active ribbon microphone promises the ribbon sound and condenser convenience. Huw Price powers up.
MTM 40	Universal Audio Solo/110 & Solo/610 Catering for both solid-state and tube enthusiasts, Universal Audio’s latest pair of mic preamps are priced for the project studio. Huw Price goes it alone...	MTM 40	Korg X50 Korg’s new baby packs all the punch of a heavyweight sound engine in a light and portable package. Will it be a knockout? Hollin Jones gets a handle on the X50...
MTM 39	M-Audio Axiom 25 A MIDI controller is one of the most fundamental requirements for a project studio. Mike Hillier goes back to basics with M-Audio’s Axiom 25...	MTM 39	Tascam DM-3200 Does Tascam’s DM-3200 finally offer us a digital console fit for today’s DAW-driven studios? Mark Cousins gets his fingers on the faders...
MTM 39	Sennheiser E912 Sennheiser’s e912 boundary mic joins the e901 bass drum mic in the 900 series. Huw Price explores the peripheries.	MTM 39	Alesis Fusion 8HD The latest feature-packed workstation from Alesis promises to fulfil your every studio need. Hollin Jones gets it together with the Fusion 8HD...
MTM 39	Tascam HD-P2 Professional field recording just got easier thanks to Tascam’s HD-P2. Mike Hillier takes it on the road.	MTM 39	Yamaha MW12 Yamaha enters the world of USB mixing, but what does its MW12 offer over the competition? Mark Cousins finds out.
MTM 39	Ted Fletcher Audio Gear P10 The mighty Twin The man behind the Ted Fletcher brand came to prominence with his ground-breaking Joemeek designs. George Shilling casts an eye over his latest offering.	MTM 39	SE Electronics Reflexion Filter A controlled acoustic environment is essential for general-purpose recording, but once that acoustic foam is stuck to the wall, you won’t get it off! Huw Price finds another solution.
MTM 39	SE Electronics Ribbon Having brought quality condensers to the masses, Chinese manufacturers are focusing on ribbon mics. Huw Price listens in.	MTM 38	Yamaha HS80M Yamaha’s HS80M active monitors promise to follow the tradition of the company’s legendary NS10s. Huw Price listens in.
MTM 38	Samson Audio C01U USB Microphone If you’re on the road or limited by a lack of hardware, a USB mic is the perfect solution. Huw Price plugs in and plays.	MTM 38	TerraTec Axon AX 100 mkII The synthesis and sampler market is dominated by keyboard players, but TerraTec is hoping the Axon will help guitarists to gatecrash the party. Mike Hillier picks up his Ax.
MTM 38	Yamaha M08 Yamaha’s newest workstation certainly boasts a wealth of player-oriented features, but does it cover all the bases? Hollin Jones test-drives the MO8.	MTM 38	Creamware Pro-12 ASB Creamware’s latest Authentic Sound Box synth is modelled on a genuine classic. Hollin Jones goes retro...
MTM 38	TL Audio Fat Funker TL Audio’s Fatman series has had a makeover, and this latest offering is a guitar front-end processor with valve compression and EQ. Huw Price meets the Fat Funker...	MTM 38	Alesis MultiMix 16 FireWire The MultiMix 16 features FireWire connectivity alongside a host of useful features. Mark Cousins finds out what else’s on offer...
MTM 37	Acoustic Energy AE1 Classic The original AE1s built up such a following that Acoustic Energy decided to produce these Classic re-issues. Huw Price listens in.	MTM 37	Novation Novation ReMOTE 25 SL Configuring a MIDI controller can be a time-consuming and frustrating job, but Novation’s latest offering aims to make life easier. Mike Hillier lets the ReMOTE 25 SL take control.
MTM 37	Korg D4 If you’re out of the studio when inspiration strikes, that hit tune might stay in your head for good. Mark Cousins finds a solution.	MTM 37	Tapco Link.USB Small, portable and rugged – is Tapco’s Link.USB audio interface ready for the road? Mike Hillier takes a tour...
MTM 37	AKG Perception 100 For years the AKG sound was the preserve of top studios, but the Perception 100 could change all that. Huw Price finds out.	MTM 37	Alesis Photon X25 With its Photon X25, Alesis is attempting to shake up the portable MIDI controller market. Mike Hillier puts it through its paces.
MTM 36	M-Audio ProKeys 88 The days of using one dedicated keyboard in the studio and another on the stage are seemingly numbered. Hollin Jones tinkles the ivories of M-Audio’s new ProKeys 88.	MTM 36	Apple Power Mac G5 Quad Apple is meeting the ever-growing demands of today’s music-production software by putting not two, but four processors into its top-end Mac. Hollin Jones feels the need for speed...
MTM 36	DPA Microphones 4090 & 4091 DPA has squeezed its 4061 capsule into a more conventional body to create the 4090 and 4091. Huw Price gets the point.	MTM 36	SE Electronics Mini When it comes to price, small is beautiful – but is quality inevitably compromised? Huw Price measures up SE’s Mini.
MTM 36	Allen & Heath MixWizard WZ3 20S Does Allen & Heath’s latest offering meet the multiple demands placed on modern-day mixers? Hollin Jones finds out.	MTM 36	Carillon Centrino+ These days you want your audio laptop to be more than just a portable studio – but you won’t want to sacrifice portability for power. Hollin Jones gets connected with the Centrino+.
MTM 35	M-Audio ProjectMix I/O If you’ve been dreaming of hands-on mix control coupled with multi-channel audio recording, it’s time to wake up. Hollin Jones discovers the ProjectMix I/O.	MTM 35	Yamaha EMX512SC Yamaha’s latest take on the powered mixer comes with some serious muscle. Kieran Robinson takes it on the road.
MTM 35	Sontronics STC-1 All-purpose microphones are just as limiting as the cost of three dedicated mics, but Sontronics’ STC-1 aims to cover all the bases. Huw Price puts it through its paces.	MTM 35	Line 6 Toneport UX2 Can Line 6’s new hybrid hardware/software amp modelling solution rise above the competition? Mike Hillier puts the TonePort UX2 through its paces.
MTM 35	Korg D3200 With up to 32 tracks and a host of recording features, does Korg’s D3200 set a new standard for the personal multitrack recorder? Mark Cousins finds out.	MTM 35	M-Audio Microtrack 24/96 Frustrated by your inability to memorise that spontaneous burst of inspiration? Mike Hillier finds another way of keeping tracks...
MTM 34	Waves APA44-M Are all those processor-hungry convolution reverbs straining your CPU resources? Mark Cousins explores Waves’ latest performance-enhancing products – the APA series.	MTM 34	Universal Audio LA-3A The solid-state LA-3A compressor superseded the valve Teletronix LA-2A and is the latest in UA’s range of slavishly accurate reissues. Huw Price goes back in time.
MTM 34	Access Music Virus TI How do you improve on a synth that’s already considered a modern classic? Hollin Jones integrates with the Virus TI...	MTM 34	Digidesign Mbox 2 The simplest route into the Pro Tools universe gets a makeover, but what does the Mbox 2 offer over the original design? Mark Cousins gets boxed up...
MTM 34	Fatar Studiologic VMK-188 Plus Fatar’s latest flagship MIDI controller adds numerous hands-on features to the company’s popular weighted piano keyboard. Hollin Jones gets in on the action...	MTM 34	Lexicon MX200 The hard-to-read LCD screens of Lexicon’s PCM series appear to be a thing of the past, with the MX200 promising a more ergonomic way to that unique sound. Huw Price gets lush.
MTM 34	Echo Digital Audio AudioFire 12 Echo’s AudioFire 12 interface is capable of bringing together your computer and a whole host of outboard analogue gear. Mike Hillier is all fired up.	MTM 33	Tannoy Reveal 5A The market for small active nearfield monitors is highly competitive and crammed with contenders, so are the new Tannoy 5As in with a shout? Huw Price investigates.
MTM 33	Inta Audio AMD 64 X2 Dual-Core Workstation 64-bit processing heralds a new era in music production, offering previously unimaginable creative possibilities. Hollin Jones test drives Inta Audio’s turbo-charged workstation.	MTM 33	E-mu 1616M E-mu has created an interesting CardBus alternative to FireWire and USB interfaces for laptop users. George Shilling slides it in.
MTM 33	Hammond XK-3 The Hammond B3 is one of the best-known instruments of all time – and now the XK-3 looks set to continue its legacy. Hollin Jones gets fired up...	MTM 33	Phil Rees Pentium M Desktop Computer noise can ruin an otherwise perfectly good recording, but noise is not something that will worry owners of the new Pentium M Desktop from Phil Rees. Hollin Jones is all ears...
MTM 33	TerraTec Phase X24FW The rise and rise of FireWire interfaces continues unabated, with German manufacturer TerraTec bringing yet more choice to this expanding market. George Shilling looks over the latest offering.	MTM 33	Animazoo GypsyMIDI MoCap MIDI Controller Fed up with standard MIDI controllers? Wish your every move could be used to control music? Mike Hillier finds a new way.
MTM 33	Rode NT6 Unlike Victorian children, good mics sometimes need to be heard, but not seen – and the new NT6 promises high fidelity in hard-to-reach places. Huw Price hits the Røde.	MTM 32	Yamaha S90 ES Tired of taking two keyboards on stage? Fear not, Yamaha’s S90 ES is here – and it’s going to change the way you think about playing. Hollin Jones explains why.
MTM 32	Tascam FW-1804 With up to 18 simultaneous audio inputs and MIDI connectivity, Tascam’s FW-1804 certainly looks like a serious FireWire audio interface. Mark Cousins gets connected.	MTM 32	Samson Audio Resolv 2.1 Full-range monitoring solutions often consume more than their fair share of studio space, but compromise in this area is not a desirable option. Huw Price explains the subplot.
MTM 32	Creamware Minimax ASB Creamware’s latest synth is more real than virtual and aims to faithfully re-create a much-loved classic. Hollin Jones takes it to the max...	MTM 31	Mackie Onyx 400F With high-grade preamps and 192kHz FireWire audio interfacing, the Onyx 400F aims to be a master of two trades. Mark Cousins puts it through its paces.
MTM 31	Yamaha AW1600 Why struggle with Logic Pro or Cubase SX when you can have a dedicated hardware solution for recording? Mark Cousins opens Yamaha’s latest box of delights...	MTM 31	E-mu Xboard 49 With more and more hands-on software out there, portable USB MIDI keyboards are the order of the day. Hollin Jones gets to grips with E-mu’s Xboard 49…
MTM 31	TC Electronic G-System It might lack one fundamental guitar effect, but TC Electronic’s new G-System delivers the very best of the rest. Huw Price plugs in.	MTM 31	MOTU Traveler MOTU’s latest multi-channel interface is lightweight, buss-powered and features a staggering 20 inputs. George Shilling takes it on the road.
MTM 31	Apogee Rosetta 200 This stereo converter not only boasts high-quality conversion hardware, it usefully offers a FireWire card option. George Shilling investigates the possibilities…	MTM 31	Tascam DV-RA1000 With a resolution of 24-bit, 192kHz and the provision of DSD recording, Mark Cousins finds out if Tascam’s DV-RA1000 puts the master back into master recorder...
MTM 30	Focusrite Saffire More than just a route in and out of your computer, Focusrite’s Saffire has plenty to offer. Mark Cousins checks out the next generation of FireWire interfacing.	MTM 30	Sontronics STC-2 Don’t confuse the STC-2 with the STC microphone built for the BBC by Standard Telephone and Cable – or the Brauner Valvet, for that matter. Huw Price tests the latest from Sontronics.
MTM 30	Edirol MA-15D Edirol’s MA-15D is an updated version of its MA-10A and MA-20D units. Is this your chance to pick up active digital monitors for next to nothing? Huw Price gets fired up.	MTM 30	Roland V-Synth XT Roland’s ground-breaking V-Synth gets a radical makeover and some neat new tricks in the V-Synth XT. Hollin Jones finds out if good things really do come in small packages…
MTM 30	Fulltone Tube Tape Echo The Fulltone Tube Tape Echo marries vintage ideas with modern technology – but does it sound as good as the ‘reel’ thing? Huw Price gets delayed.	MTM 30	Genelec 8020A Active Monitors The smooth edges and curves of the 8020As lend these active mini monitors a look that wouldn’t be out of place on the set of Kubrick’s Space Odyssey. Huw Price gens up.
MTM 30	BLUE Red Type B Blue’s roots lie in restoring vintage mics, but now the company produces its own models aimed at the higher end of the market. Huw Price checks out the latest offering.	MTM 30	Quested S8 Quested is a pedigree British company that has been building monitors for top recording studios since the early 70s. Huw Price checks the specs on the new S8 active monitors.
MTM 29	Edirol FA-66 If you’re looking for a compact FireWire interface with high sample rates, this little red box packs a host of features into a very small space. George Shilling meets the FA-66.	MTM 29	Jimi Hendrix Experience The most influential rock guitarist in the history of the genre gets an official, posthumous signature pedal, as DigiTech expands its Artist range. Mick Taylor stomps on the spirit of Jimi...
MTM 29	Yamaha MG8/2FX Yamaha’s smallest mixer to date packs a surprising number of features into its diminutive frame. George Shilling checks it out.	MTM 29	PVDJ Digital Audio Interface The world of the DJ continues to evolve, as digital technology gains ground in vinyl’s long-held territory. James Summers takes the DAI for a spin.
MTM 29	Altavoz Singular The Altavoz Singular contains left and right drivers in one box, but it promises a wide stereo image courtesy of Embracing Sound technology. Huw Price gets single-minded.	MTM 29	Phonic Helix Board 17 An increasing number of desks are featuring USB digital audio outputs as standard. Mark Cousins takes a look at Phonic’s spin on this theme – the Helix Board 17.
MTM 29	CME UF8 Every keyboard player deserves the feel of a real piano – even when they’re on the road. Does CME’s latest offering deliver the goods? Hollin Jones finds out.	MTM 29	Tannoy Reveal 6 Tannoy’s original Reveal monitors were a big success, and the Reveal 6 is the first redesign in ten years. Huw Price determines the merits of messing with a winning formula.
MTM 28	AMS Neve 1073 The continued interest in vintage products has led to many manufacturers re-creating hardware designs of the past. Huw Price goes back in time...	MTM 28	Marshall Electronics MXL V6 Forget about waiting for your classic mic to warm up – MXL’s V6 promises the sound of valves in a completely solid-state package. Mark Cousins assesses the results…
MTM 28	Allen & Heath Xone VF-1 As any audiophile will testify, the best filters use only an analogue signal path and a few basic knobs. Mark Cousins gets dark and dirty with the XONE VF-1.	MTM 28	SE Electronics Titan SE mics has developed a style of its own, with retro bodies and innovative shockmount attachments, but has it found a voice of its own? Huw Price checks out SE’s new Titan.
MTM 28	Stanton FinalScratch 2 Working as a DJ used to mean carrying boxes of precious vinyl from gig to gig – as well as your decks, mixer and other gear. James Summers lightens the load.	MTM 28	Tapco SW-10 You’ve got no bass and you’ve got no space – so big speakers are out of the question. Does the diminutive SW-10 pack the necessary punch? Huw Price finds a rookie on the subs’ bench.
MTM 28	Yamaha StagePas 300 For band rehearsals and small-venue gigs, powered mixers provide a lightweight, compact alternative to a full PA system. Ciarán Robinson goes on the road.	MTM 27	Sontronics Orpheus Few microphones can claim to have been inspired by Greek mythology, but does Sontronics’ Orpheus deliver a sound fit for the gods? Mark Cousins puts it though its paces.
MTM 27	DigiTech DF-7 Distortion Factory The humble single-function stompbox is well and truly a thing of the past. Mick Taylor finds heaven in DigiTech’s DF-7.	MTM 27	Tascam DP-01FX Updating Tascam’s classic Portastudio for the digital generation has brought some significant improvements. Mark Cousins takes an altogether easier approach to multitrack recording.
MTM 27	Taylor Guitars K4 Equalizer Taylor’s Expression System was a dramatic development for acoustic guitar amplification – and the new K4 preamp takes the concept further. Huw Price is Taylor made.	MTM 27	Phonic Powerpod 885 Plus An all-in-one mixer and amplifier greatly reduces the number of cables and boxes you have to carry to every gig. Ciarán Robinson travels light with Phonic’s small-venue PA.
MTM 27	Samson Rubicon R6A Active Ribbon Monitors Surely ribbon tweeters are the preserve of audiophiles with golden ears, so why has Samson used them in sub-£400 studio monitors? Huw Price investigates...	MTM 27	AMS Neve 1073DPD The looks may be classic Neve, but the 1073DPD combines two accurate re-creations of the Neve 1073 preamp with up-to-date digital output. Huw Price takes a byte...
MTM 27	Violet Amethyst Vintage A new range of mics has emerged in Latvia. Has Huw Price found a gem?	MTM 27	Millenium Music CX05 Musician’s Laptop The ability to make and record music while on the move is increasingly important to today’s musicians. Hollin Jones road-tests Millennium Music’s latest laptop.
MTM 27	Tannoy Reveal 8D Active Tannoy is revamping its popular range of Reveal studio monitors, improving the cabinets and adding new drive units. Will they become studio favourites? Huw Price reveals all.	MTM 27	M-Audio Black Box Marrying a guitar and computer is a frighteningly technical prospect for many guitarists, but M-Audio aims to make it easy. Mick Taylor delves inside the Black Box.
MTM 26	Soundcraft Gigrac 1000st If you’re gigging regularly, you’re going to need your own PA – and portability is always a key consideration. Huw Price goes on the road with Soundcraft’s latest offering.	MTM 26	Nady RSM-2 The only components you’ll find in a ribbon microphone – apart from the ribbon – are a magnet and a transformer. However, they’re rarely cheap to buy. Huw Price finds the right price...
MTM 26	dbx 162SL Those dynamic dudes at dbx have been busy cramming all their classic compression technology into a new stereo box. Huw Price feels the squeeze...	MTM 26	DigiTech Eric Clapton Crossroads Seven tones from the world’s most famous living guitarist, all in one pedal? Mick Taylor takes a new direction...
MTM 26	Terratec Phase 88 Rack FW PCI cards seem a distant memory thanks to the growing number of FireWire-equipped peripherals, but this offering comes in both flavours. Alistair Lindsay gets fired up.	MTM 26	Rode S1 Røde finally brings its experience in creating studio microphones to the stage. Mark Cousins finds out if the S1 is a true all-round performer.
MTM 26	Boss GT-8 Effects Processor Topping the Boss multi-effects line is the all-new GT-8. Mick Taylor marvels as the feature/price ratio becomes ever more impressive.	MTM 26	Future Retro Revolution If you want fat, acid sounds you might want to check out this unusual-looking synth from US manufacturer Future Retro. Hollin Jones joins the Revolution...
MTM 23	SE Electronics Z3300a We thought the SE 2200a was good, but recording with a fixed cardioid mic is like listening to music through one ear. The Z3300a could open your mind to omnidirectional and figure-of-8 recording. Huw Price switches over.	MTM 26	Apple iMac G5 Apple’s iMac gets a G5 processor and a slick new look. Hollin Jones doesn’t want to give it back…
MTM 26	Creative Sound Blaster Audigy2 ZS Musicians, gamers and movie fans alike should find plenty of appeal in this laptop soundcard from Creative. Alistair Lindsay makes music with the Sound Blaster Audigy2.	MTM 25	Focusrite TrakMaster Pro & OctoPre LE For many, the Focusrite Platinum range has provided that first step towards professional sound quality. Huw Price checks out the latest offerings...
MTM 25	Apple Mac Mini At just over £300 and weighing a mere 1.4kg, Apple introduces the smallest, most affordable Mac ever. Mark Cousins test-drives the Mac Mini.	MTM 25	Universal Audio LA-610 Universal Audio previously re-issued the legendary 610 preamp and LA-2A compressor, but they’re not exactly cheap. The new LA-610 combines both units in a single case at a surprisingly affordable price. Huw Price samples a slice of American pie.
MTM 25	SPL MTC 2381 Imagine being able to control your monitoring levels with a precision volume knob, or check mono compatibility at the touch of a button... Huw Price isn’t dreaming.	MTM 25	Korg TP-2 The downside to having one tasty mic preamp is that you’ll soon want another for stereo. Has Huw Price found a solution in Korg’s two-channel TP-2?
MTM 25	Apogee Big Ben Having made some of the finest converters money can buy, Apogee turns its attention to the task of digital clocking. Mark Cousins finds out what’s big about Ben...	MTM 25	Dave Smith Instruments Poly Evolver The latest bit of gear from synth designer Dave Smith promises huge soundsand total control... Hollin Jones finds out why we all need to evolve.
MTM 25	Line 6 PODxt Live Having 36 amplifiers and 24 speaker cabs in your studio would probably leave you short of space – not to mention money. Alistair Lindsay finds an alternative...	MTM 25	M-Audio Ozonic There’s considerably more to M-Audio’s new all-purpose three-octave keyboard than initially meets the eye... Mike Hillier takes control.
MTM 25	Alienware Area-51m 7700 Alienware knows how to make an eye-catching PC, but does the company know how to make the ultimate audio laptop? Alistair Lindsay dons dark glasses and beams aboard...	MTM 25	Roland RD-700SX Roland’s flagship stage piano derives its compelling sounds from multi-sampled concert grands. Hollin Jones gets in on the action.
MTM 24	PreSonus Central Station The Central Station brings the master section of a hardware studio console into the computer-based recording studio. Mark Cousins monitors the situation...	MTM 24	Roland MV-8000 An all-in-one production solution that doesn’t need a mouse, keyboard and virus protection? Bob Dormon checks out the Roland MV-8000.
MTM 24	Shure PGX Wireless System While many of us miss the comedy potential of microphone cables, in this era of glorified karaoke, wireless microphones are invaluable. Huw Price checks out Shure’s new PGX Wireless System.	MTM 24	Peavey PV 8 Peavey’s new PV 8 mixer may be as cheap as chips, but it’s packed with features that its price tag belies. Bob Dormon feasts on its functions.
MTM 24	Dynaudio Acoustics BM5A Active Monitors If space is tight, a pair of compact active monitors is a good solution. Huw Price tucks into two slices of Danish.	MTM 23	Focusrite Liquid Channel Focusrite’s groundbreaking liquid convolution technology is redefining the fundamental principles of signal processing. Mark Cousins finds out whether the Liquid Channel is a master of all trades.
MTM 23	Phonic Corporation RoadGear 160 RoadGear looks like the perfect all-in-one sound system for musicians playing small venues – but how does it actually sound? Keith Gemmell hits the road.	MTM 23	RME Fireface 800 With up to 56 channels and true FireWire 800 operation, is the RME Fireface 800 the most powerful FireWire interface yet? Mark Cousins strikes the match…
MTM 23	DigiTech The Weapon DigiTech has crammed seven of Disturbed axeman Dan Donegan’s signature sounds into one unassuming stompbox. Huw Price puts the pedal to the metal.	MTM 23	Tapco S8 Mackie gear has a reputation for representing excellent value for money and the Tapco S8s are no exception, as Huw Price discovers.
MTM 23	Novation X-Station 25 Novation’s latest offering is an all-in-one audio/MIDI interface and hardware synth. Hollin Jones finds out if the X-Station is too good to be true…	MTM 23	Phonic MU1822X There probably hasn’t been a better time to buy a budget mixer, but does Phonic’s MU1822X make it harder or easier to choose something suitable? Bob Dormon finds out.
MTM 22	Roland TD-20K V-drums The flagship version of Roland’s innovative V-Drums range comes with more options than Joe Silva can shake a stick at…	MTM 22	M-Audio O2 Slim and elegant, M-Audio’s new O2 looks great. Mike Hillier finds out if it’s as easy to use as it is on the eye.
MTM 22	Mackie UK XD2 Spike The sheer number of audio interfaces on the market means Mackie’s latest device faces tough competition. Alistair Lindsay puts Spike through its paces.	MTM 22	ART TCS Twin Compressor System Engineers habitually compress vocals, drums, guitars and even whole mixes. While digital effects have conveniently named settings, getting familiar with the arcane controls of a compressor can be daunting, but the TCS compressor’s presets make things
MTM 22	Samson CL7 Condenser Specialist mics are expensive, while all-purpose mics often compromise quality. With its neutral sound, attenuation pad and high-pass filter, can Samson’s CL7 do it all? Huw Price switches over.	MTM 22	Mackie Control C4 Mackie’s latest control surface – the Control C4 – includes an impressive 32 V-Pots and four LCD scribble strips. Mark Cousins looks beneath the surface.
MTM 22	DigiTech GNX4 The GNX4 combines digital amp, cabinet and stompbox models with an 8-track mp3 recorder, mic input and drum machine. Is there anything this box of tricks can’t do? Huw Price cranks it up...	MTM 22	Clavia Nord Modular G2X The mighty Nord Modular G2 gets a bigger brother, with more keys and more power. Hollin Jones finds out if it has the X factor…
MTM 22	Beyerdynamic Opus Drumset XXL A set of drum microphones from Beyerdynamic that takes the strain out of rigging a kit. Pete Crisp sets ‘em up.	MTM 22	TC Electronic Powercore Compact Need DSP power on the road? TC’s new PowerCore Compact could be the answer. Mike Hillier takes it out for a test drive.
MTM 22	SE Electronics Icis Why pay for extra pickup patterns when most of the time you need only cardioid? Closely related to the SE5600a, the Icis has a redesigned body and fixed cardioid capsule. Huw Price spots the difference.	MTM 21	Yamaha i88x Yamaha’s mLAN protocol is finally finding its feet, and the company’s i88x audio interface makes full use of it. Mike Hillier gets his studio gear talking...
MTM 21	Rode NT2-A Røde claims ‘the legend continues’ with its new NT2-A microphone, but is it a hit or a myth? Bob Dormon takes it on the road.	MTM 21	Muse Research Receptor Using VST plug-ins live on stage used to mean carrying laptops around – until now. Hollin Jones opens his mind to Receptor…
MTM 21	Beyerdynamic Opus 29 S Beyerdynamic introduced the world’s first studio-quality moving-coil microphone – the M19 – in 1939, so they should know a thing or two about dynamic mics by now... Huw Price checks out the Opus 29 S.	MTM 21	SE Electronics Z5600A Affordable multi-pattern valve condenser microphones are a rare sight. So, when SE Electronics recently updated its Z5600, we grabbed the new A model as fast as we could. Huw Price warms to the theme.
MTM 20	Real Traps Mini Trap and Micro Trap Real Traps’ new acoustic-treatment systems have top producers like Nile Rogers very excited indeed... Huw Price discovers why.	MTM 20	Presonus Firepod Firepod is a 10-in/10-out FireWire audio interface with eight high-quality mic preamps and MIDI I/O. Mike Hillier steps into the fire.
MTM 20	Bellari RP583 Compressor As autumn gets under way and winter approaches, we may be looking for new ways to keep warm. Alistair Lindsay turns up the heat with the Bellari RP583 Studio Dual Tube compressor.	MTM 20	Inta Audio AMD 64 Workstation 64-bit is the way of the future... Hollin Jones looks forward to the AMD 64 Audio PC Workstation.
MTM 20	M-Audio Keystation Pro 88 M-Audio’s new controller keyboard aims to offer professional MIDI control at a budget price. Mike Hillier finds out if there’s a catch...	MTM 20	Tapco SQ2 Squeez An entry-level compressor that boasts a few extra features – Hollin Jones puts the Squeez on Tapco’s latest offering...
MTM 20	Red5 Audio RV6 If someone offered you a large-capsule condenser microphone for £45, you might think it was a joke. But Red5 is perfectly serious about its new RV6. Huw Price listens in.	MTM 20	Mackie SRM350 According to Mackie, the world is full of ‘honky’ PA systems. There’s no doubt about that, but will its new SRM350 active speakers give you studio-quality sound reinforcement? Huw Price takes it to the Macks.
MTM 20	Mackie Big Knob The Big Knob provides some of the much-needed pro console recording features previously missing in desktop studio systems. Keith Gemmell takes command.	MTM 19	Tascam 2488 Digital Portastudio 25 years after inventing the world’s first 4-track Portastudio, Tascam has announced the 24-track equivalent. But, asks Keith Gemmell, is there really cause for celebration?
MTM 19	Digidesign Command 8 A knob in the hand is worth two on the screen – or so manufacturers of hardware controllers sometimes claim. With fingers on faders, Bob Dormon gives orders to Digidesign’s Command\|8.	MTM 19	BBE Sound Inc DI-1000, 362NR & 882i BBE’s Sonic Maximizers strive to stamp out the high-frequency delay that can cause subtle phase shifting on some studio monitors. Huw Price stands corrected.
MTM 19	TC-Helicon VoiceLive VoiceLive will provide you with onstage backing singers and top-quality effects at the tap of a footswitch – but is Keith Gemmell singing its praises?	MTM 19	Athena Systems Vampire Rack The Vampire Rack is a dedicated 2U rackmounted audio PC with no fewer than six bays for additional drives. Hollin Jones finds out how high the stakes are...
MTM 19	Genelec 8030A Genelec’s new 8000 series promises stunning performance. Paul Pettengale gives his hard-edged opinion.	MTM 19	Behringer V-Verb Pro REV2496 Behringer has built up a reputation for providing value for money, so does the new REV2496 follow in this tradition? Keith Gemmell is all ears.
MTM 19	Audix OM2 & OM3 Can any mic ever eclipse Shure’s SM58 and SM57? Audix mics are catching on fast in the US and have just crossed the Pond. Huw Price gets dynamic.	MTM 19	Mackie Onyx 1620 This analogue console can be fitted with a digital implant, but will it appeal to digital diehards? Bob Dormon plugs and plays.
MTM 19	Blue Sky MediaDesk Blue Sky thinks small with its new MediaDesk 2.1. Paul Pettengale finds out if it punches above its weight.	MTM 18	Native Instruments Guitar Rig Native Instruments’ first guitar effects software is here. Hollin Jones feels the full effects of Guitar Rig….
MTM 18	M-Audio FireWire 1814 Owners of small project studios have yet another recording interface to consider – the FireWire 1814, from M-Audio. Keith Gemmell makes tracks...	MTM 18	Coles Electroacoustics 4040 Coles Electroacoustics, manufacturers of the classic 4038, has released its first new mic since 1969. Huw Price cuts the ribbon on the Coles 4040.
MTM 18	Behringer Truth B2030A Small, compact and sporting a sleek, distinctly Teutonic look, these new monitors from Behringer certainly look the part – but how do they sound? Paul Pettengale gets to the Truth.	MTM 18	Yamaha Magicstomp For many guitarists, the valve is King and digital modelling is still a no-go area. Jon Griffin gets to grips with 1s and 0s...
MTM 18	Apogee Rosetta 800 Apogee has produced some of the finest digital converters ever to grace the studio, but does its new Rosetta 800 maintain this tradition? Mark Cousins gets converted…	MTM 18	XXL XC20 & XC97 Condenser Microphones With lots of affordable mics around at present, do these pencil and shotgun condensers from XXL deserve your attention? Keith Gemmell takes aim...
MTM 18	Tannoy Sub 15 5.1 If you want to hear really deep bass, the bad news is that small nearfield monitors just can’t cut it – you need a subwoofer. Huw Price dives in at the deep end.	MTM 17	Edirol PCR-1 USB MIDI Keyboard Controller Edirol’s new keyboard controller combines good looks and MIDI functionality with audio capability. Keith Gemmell tinkles its ivories...
MTM 17	Shure SM86 Cardioid Condenser Mic Shure’s microphone pedigree is the stuff of legend, so will its SM86 be a hit or a myth? Bob Dormon takes it in hand…	MTM 17	Roland Fantom-X8 Roland dispatches a new variant of its battleship class of audio workstations. Joe Silva discovers whether she’s seaworthy…
MTM 17	Phonic Tube Processors The valve continues its relentless march back into our equipment racks with three new processors from Phonic. Mark Jenkins warms to the idea…	MTM 17	Philip Rees CL56 Laptop Bundle (KC09) Looking for a portable, off-the-shelf PC system that’ll make music from the moment you plug it in? Philip Rees may have the answer, as Bob Dormon finds out…
MTM 17	SE Electronics SE-1A, SE-2A, SE-3 For natural-sounding recordings, small-capsule condensers are hard to beat. Huw Price checks out three new models from SE…	MTM 17	Korg Electribe EA-1 mkII Korg revamps its analogue synth sequencer with up-to-the-minute sounds and styles. Hollin Jones goes in search of the Electribe…
MTM 17	Kurzweil KSP8 Kurzweil has taken the basic architecture of its K2500 and K2600 synth effects and packed them into a box with twice the processing power and 5.1 surround. Huw Price is deeply effected…	MTM 17	Sennheiser HD 280 Silver/Pro Headphones Looking for headphones that are comfortable, accurate and affordable? Nigel Lord shuts himself off from the rest of the world…
MTM 16	Korg Triton Extreme 88 Korg’s Triton gets some new toys, including a real-life valve for warming up your sound. Hollin Jones takes it to the Extreme….	MTM 16	E-mu Emulator X Studio Looking for a one-stop shop to turn your PC into a desktop studio? E-mu’s Emulator X Studio could be just the job, as Bob Dormon discovers…
MTM 16	Creamware SCOPE Professional Creamware has streamlined its product line, placing SCOPE Professional at the top of its range. Hollin Jones gets to grips with the new platform…	MTM 16	Soundcraft GigRac According to Soundcraft you don’t have to be a professional sound engineer to set up and use GigRac. Keith Gemmell plugs in to find out...
MTM 16	Yamaha MC7 Pickup Mic/ST-5 Studio and Effects Unit With 32 digital effects, comprehensive practice aids and a clip-on mic, the ST-5/MC7 might just be the ultimate brass and woodwind accessory. Keith Gemmell hooks up his sax...	MTM 16	Everything But The Box Terra II speakers If these cast-aluminium monitors were British they’d probably be dismissed as a gimmick or the product of a warped imagination, but since they’re Bulgarian, we’ll cut them some slack. Huw Price thinks outside the box…
MTM 16	Applied Research & Technology TPS II Celebrating 20 years in the business, ART must be doing something right, but does the TPS II valve preamp take the cake? Bob Dormon finds out...	MTM 16	Hitec Audio Tube One A no-frills tube microphone with a German pedigree? Huw Price fires up the new Tube One from Hitec Audio…
MTM 15	Korg The Legacy Collection Korg has resurrected its legendary MS-20, Polysix and Wavestation synthesisers as software instruments – but do they sound as good as the originals? Keith Gemmell listens closely...	MTM 15	M-Audio Octane M-Audio extends its seemingly endless product line with Octane – a pro-level eight-channel preamp. Will it fuel Joe Silva’s imagination?
MTM 15	Mission SM6A Active Monitors Active monitors are becoming so popular it’s starting to have a real affect on amplifier sales. Will the new SM6As accelerate the process? Bob Dormon is on a Mission to find out…	MTM 15	DPA IMK4061 Microphone Kit Miniature microphones have revolutionised the broadcast industry, but do they also have uses in studio and live applications? Nigel Lord finds room in his heart for DPA’s mini marvel…
MTM 15	Soundcraft Compact 4 Soundcraft turns its hand to a smaller mixer aimed at project studio users. Hollin Jones gets close-up and personal with the Compact 4…	MTM 15	SE Electronics Gemini Are two valves are better than one? SE seems to think so. Huw Price puts the Gemini to the test...
MTM 15	Phonic A6100 Enhancer, A6200 Supreme DI & A6600 Supracurev Stereo Graphic Does hardware still rule? Mark Jenkins tests out a batch of processors designed to solve those audio problems that software just can’t reach…	MTM 15	Novation SpeedIO Trackmaker Novation goes portable with the SpeedIO Trackmaker – a complete audio/MIDI package and three-piece software bundle. Pete Crisp makes tracks...
MTM 15	Boss BR-1600CD Computers offer musicians a myriad of recording possibilities, but standalone recorders still have considerable appeal – as Bob Dormon discovers with the Boss BR-1600CD.	MTM 15	SPL SMC 2380 As surround mixing pervades studios, accurate control of multiple speakers has become a necessity. To the rescue comes SPL with its SMC 2380 processor. Is it up to the task? Bob Dormon finds out…
MTM 15	Shure E Series In-ear Earphones Are the consumer versions of Shure’s professional in-ear monitors useful in a music production environment? Dan Goldstein lends an ear…	MTM 14	Sony VAIO PCG-GRT916Z & Sonic Stage Mastering Studio Sony’s high-end VAIO laptops now come bundled with audio-restoration software. Bob Dormon checks if they’re up to scratch...
MTM 14	TL Audio Ivory 2 5000 Valve Microphone and Preamp Valve microphones are getting cheaper and more commonplace, and now TL Audio has joined the fray with a mic and preamp bundle. Will Bob Dormon warm to it?	MTM 14	Echo Audio Indigo IO Recording high-quality audio on your laptop need not mean carrying extra hardware. Hollin Jones cuts loose with Echo Audio’s latest PCI card…
MTM 14	Creative Labs Audigy 2 ZS Platinum Pro Creative Labs’ new top-of-the-range soundcard is the company’s most advanced card yet. Ian Waugh sees if it’s a blast from the past or a fillip for the future...	MTM 14	Korg Electribe ESX-1 A funky-looking hardware sampler from Korg that opens the door to creative user interaction. Pete Crisp gets in step with the ESX-1...
MTM 14	M-Audio Firewire Audiophile The Audiophile combines the performance of FireWire with the features of the world’s best-selling soundcard. Keith Gemmell finds out if the Audiophile legacy can survive...	MTM 14	Aphex Xciter & Punch Factory Stomp-boxes that bring the legendary Aphex enhancement to the guitar fraternity and a compressor that packs a punch? Pete Crisp is deeply effected…
MTM 14	Evolution MK-461C USB Keyboard The controller keyboard market is booming, but Evolution’s new products always demand a closer look. Mark Jenkins is your master and commander...	MTM 14	Wharfedale Diamond 8.2 Pro Active Monitors Based on the successful Diamond range, Wharfedale’s new 8.2 Pro Actives might provide that one-box solution to your monitoring needs. Huw Price cops an earful…
MTM 13	Toft Audio Designs ATC-2 Dual-Channel compressor/EQ/Mic Pre Even if you haven’t heard of Malcolm Toft, you will have heard music he recorded and equipment he designed. The Toft Audio ATC-2 promises the best of British, and Huw Price checks it out…	MTM 13	Korg PA1X Pro Korg’s new flagship arranger keyboard is a heavyweight when it comes to playing and performing. Hollin Jones finds out if it can do the business…
MTM 13	TL Audio Ivory 2 Series 5060 Preset Valve Compressor Having one of TLAudio’s valve signal processors glowing in the corner of our studio is certainly a tempting thought... Can Bob Dormon resist the new 5060 Preset Compressor?	MTM 13	Novation ReMOTE 25 Audio An audio interface and MIDI controller from Novation that’ll keep all your eggs in one basket. Pete Crisp works up an appetite...
MTM 13	NuSystems Centrino Laptop New company NuSystems creates computer set-ups specifically for making music. Ian Waugh picks up a laptop and hits the road...	MTM 13	Earthworks Sigma 6.2 Monitors They cost the same as a decent second-hand car, but are they worth the money? Huw Price takes Earthworks’ Sigma 6.2 passive monitor speakers for a test drive…
MTM 13	Phonic i7600 SupraCurve Looking for an audio problem-solver for studio and stage? Mark Jenkins takes on the Equaliser...	MTM 13	Elektron SFX-6 MonoMachine It’s silver, it’s Swedish, and it’s designed like no other instrument you’ve ever seen. Mark Jenkins gets to grips with the latest synth from Elektron...
MTM 12	Yamaha 01X Another digital mixing desk from Yamaha is no longer earth-shaking news – but the 01X is rather different. Bob Dormon finds out what the fuss is all about…	MTM 12	Tapco S5 Active Studio Monitors Can this pair of inexpensive speakers really help the computer musician achieve studio monitoring standards? Dan Goldstein lends an ear…
MTM 12	M-Audio Solaris Straight from M-Audio’s Chinese factory is the three-pattern Solaris microphone – the ‘grown up’ version of the successful Luna. Huw Price looks for any family resemblance…	MTM 12	Korg D32XD and D16XD A pair of new workstations from Korg – but which one to choose? And does either offer a viable alternative to software recording? Pete Crisp enters the D zone…
MTM 12	Mutec Format Changer Advanced Mutec’s Format Changer Advanced is a compact tool to aid the transfer of digital audio around your system. But do you need it? Pete Crisp investigates…	MTM 12	DAV Electronics DAV Electronics It may sound like a posh Westminster address, but Broadhurst Gardens No.1 is a mic preamp developing a keen following among audio pros. Huw Price explains...
MTM 12	Lexicon Omega The name Lexicon is synonymous with high-quality reverb, but the company produces a varied range of devices. Bob Dormon checks out the latest of them...	MTM 12	Akai MPC1000 Akai has released the latest model in a long line of sampling drum machines – but is it an adequate compositional tool? Mark Jenkins is set adrift on an MPC...
MTM 12	Edirol PCR-A30 Edirol’s latest MIDI controller keyboard combines everything the mobile musician needs in a single box. Hollin Jones discovers that small really can be beautiful...	MTM 11	Korg microKontrol Musicians can still control their instruments in the traditional fashion. Paul Wiffen investigates Korg’s microKontrol solution…
MTM 11	Yamaha SPX2000 Yamaha’s SPX processors have always bucked the trend, but how will its latest offering fare in a world dominated by software effects? Mark Jenkins does it the hard way…	MTM 11	TFPro P5 Optical compressors have a charm of their own that TFPro is happy to exploit. With the P5 you get no fewer than five processors in a single box. Charm personified? Bob Dormon finds out…
MTM 11	M-Audio OmniStudio USB M-Audio’s popular OmniStudio is born again, complete with USB connectivity – but is it really the complete mobile recording solution? Keith Gemmell goes routing about…	MTM 11	Peavey Kosmos Pro The rack-mounted audio sweetener has been making its presence felt for years, but what does the latest technology offer? Brian Heywood explores the Kosmos…
MTM 11	Vox Valvetronix ToneLab What better way to model classic guitar amps than to use a real valve? In his quest for authentic sounds, Pete Crisp checks out the new ToneLab from Vox…	MTM 11	Fostex PM2 Monitors Owners of larger home studios now have an interesting new monitoring alternative. Dan Goldstein listens in…
MTM 10	Rode NT2000 Where mics are concerned, one size definitely doesn’t fit all – but have you considered one that offers variable polar response? Pete Crisp hits the Røde...	MTM 10	Mission SM6P Nearfield Monitors Can a manufacturer known for hi-fi speakers produce a serious nearfield studio monitor? Dan Goldstein is on a Mission to find out…
MTM 10	Tapco 6306 Mixer With its accessible price tag, there’s clearly more than a logo separating this new mixer from its competitors. Dan Goldstein hunts for compromises…	MTM 10	Edirol V-4 Vision Mixer Want to combine images with your music but being put off by the lack of low-budget video hardware? Mark Jenkins gets visionary with the Edirol V-4…
MTM 10	Kurzweil PC1X Performance Controller Always fancied a Kurzweil synth but couldn’t muster the readies? As David Etheridge discovers, the new PC1X may well be within your reach…	MTM 10	Edirol UA-1000 USB Audio Capture Using USB 2.0 to shift data across multiple inputs and outputs simplifies audio interfacing no end. Pete Crisp feels the need for speed...
MTM 10	TL Audio Ivory 2 Series 5052 Stereo Valve Processor The TLA 5052 combines preamp, compressor and EQ processing and uses valve stages to sex up the signal. Bob Dormon ponders the delights of thermionic emission…	MTM 09	Yamaha Motif ES7 Sequencing isn’t all about computers and sophisticated software – it can be done on a workstation synth. Bob Dormon checks out Yamaha’s Motif ES7.
MTM 09	RME HDSP 9632 Looking for a studio-quality audio interface for your PC or Mac? Dan Duffell may have just the card for you...	MTM 09	Korg KAOSS Pad Entrancer Korg hits the unchartered waters of video effects with its latest KAOSS – but is the new Entrancer solely for video jocks? Mark Jenkins turns on and tunes in....
MTM 09	M-Audio FireWire 410 M-Audio moves into the realm of FireWire with an eye towards supreme portability and ease of use. Joe Silva lights one up…	MTM 09	TC Electronic PowerCore FireWire Are plug-ins putting the pinch on your processor? Need to lighten the load on your laptop? Dan Duffell considers TC’s new FireWire solution.
MTM 09	Roland RS-70 Synthesizer ‘Forget about MIDI and get on with playing’ is the concept behind the RS-70 – but does it take the mystery out of multi-track recording? Keith Gemmell goes loopy…	MTM 09	Audio-Technica ATW-T3141 & ATW-3110D Wireless mics offer freedom of movement and have recently dropped in price. Huw Price puts two of the latest systems from Audio-Technica to the test…
MTM 09	Line 6 Bass POD XT Pro Line 6 has given its bass guitar and amp modeller a makeover. Pete Crisp looks beyond the aesthetics...	MTM 09	E-mu PX-7 Command System E-mu’s new PX-7 sets out to make you commander of your own drum station. Mark Jenkins gives it a beating…
MTM 09	Focusrite TwinTrak Pro It’s a Class A preamp, a mid-scoop EQ, a compressor, a DAC, and it’s got the name Focusrite on the front... But is that enough to impress Dan Duffell?	MTM 09	SPL GainStation 1 High-end microphone preamps came in two flavours: valve and solid-state. SPL’s new GainStation gives you the best of both worlds. Huw Price listens in…
MTM 08	Roland Fantom-S Synthesizer Roland has released a new version of its Fantom synth/workstation, but is it the machine to put the company back on top? Mark Jenkins looks for spirits in the material world…	MTM 08	Mark Of The Unicorn 828mkII Audio Interface The MOTU 828 FireWire audio interface was a perfectly respectable piece of kit but, as Bob Dormon discovers, the new 828mkII goes further – much, much further…
MTM 08	M-Audio Luna Microphone Many of today’s mics are based on classic designs from the past, but M-Audio’s Luna is refreshingly original. Huw Price finds out whether it sounds as good as it looks…	MTM 08	Digidesign Digi 002 Rack Has Digidesign’s decision to bundle the new Digi 002 with Pro Tools LE been enough to see off the competition? Bob Dormon gets on the Rack…
MTM 08	Behringer Ultra-Curve Pro DEQ2496 The new Ultra-Curve Pro boasts an on-paper spec to match any professional mastering processor. Dan Duffell tries to spot the differences…	MTM 08	Contour Design ShuttlePRO V.2 There’s a huge range of controllers out there to choose from, but could the ShuttlePRO be all you need? Brian Heywood gets a handle on it…
MTM 08	Edirol M-100FX Mixer/Audio Interface The M-100FX is a USB audio interface and compact mixer hybrid targeted at video studio applications. Dan Duffell explores its potential.	MTM 08	Roger Linn Design AdrenaLinn II The original AdrenaLinn’s pairing of guitar FX and drum machine confounded some but delighted many. Will the updated version get Brian Heywood’s pulse racing?
MTM 08	M-Audio Studiophile LX4 2.1 Monitors and LX4 3.0 Upgrade Pack Want to try your hand at 5.1 surround mixing but can’t justify spending thousands on a monitoring system? Dan Goldstein assesses a unique solution from M-Audio.	MTM 08	Korg Electribe MX-1 Music Production Station The first of the long-awaited additions to the Electribe range is here. But is the MX-1 Production Station a worthy flag bearer? Pete Crisp gathers the ’Tribe…
MTM 07	Clavia Nord Lead 2X Like a good song, the Nord Lead has endured the test of time and continues to charm the pants off all who get to know it. Dan Duffell falls in love all over again...	MTM 07	Apogee Mini-Me In the studio or on the road, the Mini-Me takes it all in its stride. Pete Crisp gets converted...
MTM 07	Dave Smith Instruments Evolver Dave Smith Instruments is a new name – but it has an impressive pedigree. Mark Jenkins investigates its first product, the Evolver…	MTM 07	Mark Of The Unicorn Micro Lite and MIDI Express 128 MIDI interfacing via USB is the norm these days, but do MOTU’s new host-powered models plug into the needs of musicians? Bob Dormon finds out.
MTM 07	Novation ReMOTE 25 Taking command of your soft synths demands a powerful controller – Mark Jenkins investigates whether Novation deserves an ovation...	MTM 07	Edirol UR80 USB Recording System The UR80 combines a two-channel recording interface with a MIDI control surface in a desktop box that connects to your PC. Dan Duffell gets the feel of his software...
MTM 07	Yamaha MG16/6FX Mixer Yamaha’s MG series of analogue mixers look just the job – but are they? Bob Dormon takes the compact MG16/6FX for a spin...	MTM 06	Creamware Noah EX Tactive Instrument Modeller 1.3 Promising digital re-creations of some of the most desirable instruments of the past few decades, Pete Crisp takes a look at one of the most eagerly awaited products of the year.
MTM 06	Edirol PCR-30 This controller is packed with buttons, sliders and knobs, but is it the perfect partner for your MIDI/USB gear? Nigel Lord is left to his own devices...	MTM 06	ST Audio DSP3000 M-Port ST Audio’s M-Port looks like it could be all things to all men as far as interfacing is concerned. Bob Dormon gets connected and looks for the catch.
MTM 06	Event TR5 & TR8 Nearfield Monitors Event is one of the most established names in monitoring and this series look set to build on its good name. Dan Duffell takes the TR5 and TR8 for a test drive...	MTM 06	BLUE The Ball Baltic Latvian Universal Electronics – BLUE, to the rest of us – has released its first cardioid dynamic microphone. Huw Price is invited to The Ball...
MTM 06	Samson Technologies MDR8 Mixer Small mixers come and go, but the MDR8 has a couple of tricks up its sleeve... Pete Crisp fades us in.	MTM 06	Audiotrak Maya 7.1 PCI Audiocard The Maya 7.1 audiocard offers enough outputs to feed a full 7.1 speaker system for little more than fifty quid. Dan Duffell feels surrounded...
MTM 06	Mackie Mackie Control It’s called the Mackie Control and, as Brian Heywood discovers, it does exactly what it says on the box...	MTM 05	M-Audio Ozone There are plenty of MIDI controller keyboards and USB audio interfaces out there, but Ozone combines both in a compact, portable package. Brian Heywood looks for the holes…
MTM 05	Ultrasone HFI-650 LE Headphones A pair of cans that send music around your head rather than into it? Max Green tests out an unlikely proposition.	MTM 05	Samson C-Class Processors Samson’s new C-Class processors stack up the possibilities for desktop recording. Pete Crisp scales new heights…
MTM 05	Bob Moog Voyager Analogue Synth Synth pioneer Bob Moog has updated his classic Minimoog analogue monosynth for the 21st century. Simon Trask finds out if Voyager has what it takes to go the distance...	MTM 05	Aviom A-16 Monitor Mixing System Monitor mixing gets personal with this network-based system from Aviom. Pete Crisp takes his cue...
MTM 05	Yamaha 01V96 Yamaha’s 01V mixing desk gets an update and a mind-boggling bundle of new features. Bob Dormon prepares to lift the lid...	MTM 05	SE Electronics Z5600 Condenser Mic Superb detail, warmth and a variable polar response – and all from a mic that sells for under £400. Daniel Duffell can’t believe his luck...
MTM 04	Samson Resolv65a Monitors Samson may not be a big name in quality nearfield monitoring, but its new range demands serious consideration. Danial Duffell shows some Resolv...	MTM 04	TC-Helicon Quintet If you’re tired of working with dodgy backing singers you’re gonna love this offering from TC-Helicon. Bob Dormon unbuttons his shirt…
MTM 04	Roland VR-760 Keyboard Simon Trask finds out whether Roland’s performer-friendly VR-760 keyboard adds up to more than the sum of its parts...	MTM 04	Ego Systems Waveterminal 192L Considering a move up to 24-bit/96kHz recording and looking for a highquality, low-cost digital audio card? Ian Waugh goes on an Ego trip...
MTM 04	Akai MPD16 Tired of tying up your fingers triggering samples on your keyboard? There is an easier way. As Nigel Lord discovers, it just takes a little padding…	MTM 04	Philip Rees Notebook System Take to the road with this comprehensive mobile studio setup from MIDI merchants Philip Rees. Pete Crisp hitches a ride…
MTM 04	Evolution MK-361C MIDI Keyboard Evolution’s flagship MIDI controller keyboard aims to dock with your computer – but is it a luxury liner or a sailing dinghy? Simon Trask goes to see…	MTM 04	Superlux DRK-B5C2 Drum Mic Set Looking for that real drum sound but working to a tight budget? Daniel Duffell reckons this new line of drum mics from Superlux might be the answer to your prayers…
MTM 03	JL Cooper CS-32 MiniDesk Crammed with over 150 dedicated faders and switches, Brian Heywood finds that JL Cooper’s baby mixing desk is quite a handful...	MTM 03	Yamaha MSP10 Studio Monitors Yamaha has given its active nearfield monitors a facelift in a bid to capture a bigger slice of market-share pie. Max Green listens to the results.
MTM 03	Peavey Kosmos Peavey’s Kosmos processor aims to impress by adding earth-shaking bass and upper-end clarity and width to your sound – but does it have a place in the studio or is it purely a live sound effect? Simon Trask goes cosmic...	MTM 03	Metric Halo Mobile I/O ULN-2 Metric Halo adds a new four-in-six-out FireWire interface to its Mobile I/O family of professional portable interfaces. How does the ULN-2 measure up? Ben Gerrold plugs in and finds out...
MTM 03	Smart Sound Direct Hermit Cab Proving that it sometimes pays to be thick skinned, the Hermit Cab offers a solution to the problems of decibel overkill. Pete Crisp enjoys the peace…	MTM 03	AKG K271 Studio Headphones Spending a three-figure sum on a set of headphones might seem extravagant, but Max Green reckons it’s money well spent…
MTM 03	Phonic Micro Range Six micro processors all in compact, one-third rack units? Daniel Duffell finds out if less really is more...	MTM 03	GEM ProMega2 GEM follows up its ProMega3 digital piano with a sleek new version sporting a lower price tag and a more contemporary appearance – but at the expense of some features. Simon Trask wonders if it’s the instrument to raise the company’s profile…
MTM 03	Shure KSM141 microphone Bob Dormon gets to grips with the latest offering from legendary microphone manufacturers Shure.	MTM 03	Soundcraft Spirit E8 Designed to be at home with recording setups or on stage, the Spirit E series mixer is obviously trying to be all things to all men. But does it suit our man Bob Dormon?
MTM 03	Yamaha MG16/4 Mixing Console Looking for a small, general-purpose mixer for your home studio or band but strapped for cash? Daniel Duffell sets out to discover whether industry giant Yamaha still knows how to appeal to those setting up a studio on a tight budget…	MTM 02	Roland VariOS Roland’s latest compositional tool is an interesting hydrid of hardware and software technology, but is it a marriage made in heaven or a complicated mongrel system? Brian Heywood investigates…
MTM 02	PreSonus FireStation FireStation is a versatile hybrid line mixer and audio interface with high-quality mic preamps. It’s also the first product released in the UK that relies on Yamaha’s fabled FireWire-based mLAN system. Daniel Duffell gets to grips with the future…	MTM 02	Yamaha DTXpress II Having lost their eighties New Romantic associations, electronic drums are back with a vengeance. Nigel Lord climbs onboard Yamaha’s latest kit…
MTM 02	Blue Sky ProDesk With so many new small studio monitors to choose from, you may find your judgement becoming clouded, but Dave Foister looks straight ahead and sees nothing but Blue Sky…	MTM 02	Yamaha Motif-Rack Proving that size isn't everything, Yamaha's new rackmount module offers more polyphony, more patches and more effects than its Motif keyboard counterparts, but are there also compromises? Simon Trask sizes it up…
MTM 02	Contour A/V Solutions Spaceshuttle Working with a mouse and keyboard could be limiting your productivity, but what are the alternatives? Nigel Lord survives a journey on the Spaceshuttle…	MTM 02	Evolution U Control: UC-33 Evolution's UC-33 offers a great deal of hands-on control over lots of software. Ian Waugh gets tactile…
MTM 02	E-mu Vintage Pro E-mu's latest sound module takes its cue from the seemingly unquenchable desire for old keyboard sounds. Simon Trask samples a modern vintage…	MTM 02	Samson C01 The Samson C01 is one of the things that dreams are made of – not for its rugged good looks, sweetie, but its price. Bob Dormon sniffs around for a prize catch.
MTM 02	Zoom MRS-1266 Zoom keep their MRS ball rolling with an upgraded version of an old favourite. Pete Crisp lifts the lid of this studio-in-a-box…	MTM 01	Waves MaxxBass 101 Waves’ MaxxBass plug-in has a legion of fans who swear by its ability to add low-end drive to music. Does the new hardware version pack a similar punch? Max Greenfinds out.
MTM 01	Yamaha AW16G Brian Heywood takes a look at Yamaha’s latest integrated hard disk recording system, which combines the power of a digital audio workstation with the convenience of a multi-tracker.	MTM 01	Roland V-Synth With increased competition from the software sector, can Roland’s new flagship synth cut the sonic mustard? Simon Trask plays a awhile.
MTM 01	Kenton Spin Doctor Kenton Electronics’ latest MIDI controller is designed to free the functions buried inside your favourite music hardware or software. Brian Heywood takes it for a spin.	MTM 01	Eclipse TD 508PA Desktop music making involves some serious money these days and consequently deserves some serious speakers. The Eclipse TD 508PA Monitor System includes an amp, but be careful – Bob Dormon discovers that after one listen you’re hooked…
MTM 01	TC-Helicon VoiceWorks If you want multi-part harmonies and pitch correction wrapped up in a dedicated voice channel could TC-Helicon’s latest processor be the answer to your prayers? Pete Crisp tunes in.

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